Enparantza I, 1982
Eduardo Chillida   Master Artists

Print : eau-forte · 76 x 54 x 0.1 cm 29.9 x 21.3 x 0 inch

€4,200 4 200 €
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Delivery to: Germany , € 82

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 50 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

76 x 54 x 0.1 cm 29.9 x 21.3 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Original etching.

Signed in pencil and numbered 40/50.

Dimensions of the bowl: 15.5 × 23 cm
Framed dimensions: 76 × 54 cm

Provenance: Galerie Maeght Lelong, Zurich, then private collection Switzerland.

A major figure in 20th century European sculpture and abstraction, Eduardo Chillida developed a language based on the tension between void and matter.

In this 1982 etching, the massive black forms seem to float on an almost mineral space. The geometric volumes interact with the more organic and textured areas, creating a balance between density and silence.

The acid etching process on copper gives the image a subtle depth, where the material seems to breathe. In Chillida's work, emptiness is never absence: it is structure.

A rare work, from a limited edition, ideal for a collector of sculptural abstraction and European modern art.

Abstract

Geometric abstraction

Beige

Black

Eduardo Chillida, Enparantza I
Spain  • 1924  - 2002
201 followers

Presentation

Eduardo Chillida was born and died in San Sebastian; he was a renowned sculptor who exhibited work alongside Miró and Picasso. His success was quickly garnered: he represented Spain at the Venice Biennial when he was just 34. He initially studied architecture before giving up his studies to focus on sculpting and drawing at the Circulo de Bellas Artes in Madrid.

He then moved to Paris, where he learned to sculpt, basing his work on the old rules of the masterpieces he admired at the Louvre. His sculptures were more abstract before discovering Brancusi and Tapiès. His creations in steel, concrete and iron reduce fundamental concepts to a single shape, the origin of all things.

To create this minimalist result, he uses particularly contrasting natural materials: the sea, wood, rain, rocks. The natural environment is a key part of his work, emphasised by framing or by the emitted sounds. Curves help to emphasise the horizontal nature of the landscape in a simple, elegant way.

In the 70s, he was one of the most well-known artists and exhibited at the Museum of Fine Arts in Houston. He also became a professor at the prestigious Harvard University and won the Prix Prince Asturias in 1987 and the Imperial Order of Japan in 1991. In 2001, his artwork was honoured at the Jeu de Paume in Paris.

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