Vers la diagonale, 1963
Eduardo Chillida   Master Artists

Print : etching · 43 x 32.5 x 0.1 cm 16.9 x 12.8 x 0 inch · Ready to hang

£3,054 3 054 £GB
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Delivery to: United Kingdom , £ 120

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 50 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

43 x 32.5 x 0.1 cm 16.9 x 12.8 x 0 inch Height x Width x Depth

Artwork dimensions including frame

49 x 38.5 x 4 cm 19.3 x 15.2 x 1.6 inch

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Credentials

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Description

The black line stretches precisely on the light paper.
This 1963 etching explores the balance between full and empty.
The artist uses a sinuous line to suggest an upward movement.
The drawing evokes the raw force of natural materials and the rigor of architecture.
Each curve responds to the white space to create a controlled visual tension.
The minimalist approach reduces the composition to the essential.
The graphic rhythm recalls organic landscapes and mineral forms.
The work testifies to a constant search for spatiality and structure.
This print belongs to a series of limited editions.
The original signature appears at the bottom of the composition.

Abstract

Abstract art

Black

Eduardo Chillida, Vers la diagonale
Spain  • 1924  - 2002
201 followers

Presentation

Eduardo Chillida was born and died in San Sebastian; he was a renowned sculptor who exhibited work alongside Miró and Picasso. His success was quickly garnered: he represented Spain at the Venice Biennial when he was just 34. He initially studied architecture before giving up his studies to focus on sculpting and drawing at the Circulo de Bellas Artes in Madrid.

He then moved to Paris, where he learned to sculpt, basing his work on the old rules of the masterpieces he admired at the Louvre. His sculptures were more abstract before discovering Brancusi and Tapiès. His creations in steel, concrete and iron reduce fundamental concepts to a single shape, the origin of all things.

To create this minimalist result, he uses particularly contrasting natural materials: the sea, wood, rain, rocks. The natural environment is a key part of his work, emphasised by framing or by the emitted sounds. Curves help to emphasise the horizontal nature of the landscape in a simple, elegant way.

In the 70s, he was one of the most well-known artists and exhibited at the Museum of Fine Arts in Houston. He also became a professor at the prestigious Harvard University and won the Prix Prince Asturias in 1987 and the Imperial Order of Japan in 1991. In 2001, his artwork was honoured at the Jeu de Paume in Paris.

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