Nos peaux aiment d’amour, 2026
Miss.Tic   Best sellers Famous Artists

Print : Screen Print · 40 x 60 x 2.5 cm 15.7 x 23.6 x 1 inch

€1,800 €1,620 1 620 €
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Shipped from: France

Delivery to: Germany , € 78

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 112 copies

99 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Plate signed

Technique & Support

Dimensions ( cm • inch )

40 x 60 x 2.5 cm 15.7 x 23.6 x 1 inch Height x Width x Depth

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Description

Our skin loves with love — a direct declaration, almost brutal in its simplicity. Miss.Tic has never sought ambiguity: the body speaks, the skin says what words evade.

This is the most sensual panel of the triptych. The red stands out, the silhouette commands attention. On silk, the color takes on a particular density—it doesn't shout, it burns. The traditional printing reveals a living material, far removed from the coldness of a reproduction on paper or concrete.

Limited to 99 numbered copies, produced with the approval of its rights holders, this piece belongs to the last authorized editions of Miss.Tic. Each panel is signed and accompanied by a numbered certificate of authenticity.

Street art

Portrait

Women

Poetry

Red

Miss.Tic, Nos peaux aiment d’amour

Miss.Tic

France  • 1956  - 2022
3089 followers

Presentation

Miss.Tic, born on February 20, 1956, in Paris, was a pioneering French poet and visual artist, renowned for her stenciled street art that graced the walls of Paris for decades. She passed away on May 22, 2022, but her work, once considered rebellious and illegal, has since gained international recognition and is now featured in major institutions like the Victoria and Albert Museum in London and the Fonds Municipal d'Art Contemporain in Paris. Miss.Tic's work has been celebrated in a retrospective exhibition in Singapore, supported by the French Embassy, further solidifying her legacy.

In the 1980s, amid the rise of urban art, Miss.Tic transformed the streets of Paris into her artistic canvas, particularly in the Butte aux Cailles neighborhood (13th arrondissement). Her public art debut took place in 1985 at Agnès b's Galerie du Jour, where her unique stencils began to take shape. Influenced by her background in graphic design and theatre set design, Miss.Tic's art began to reflect her interest in the eternal feminine and the dynamics of power, often featuring striking female figures paired with thought-provoking slogans.

The 1990s brought both challenges and recognition for Miss.Tic. The rise of street art and tagging culture led to police confrontations, including a notable arrest in 1997 after a work in the Marais district. Despite facing repression, Miss.Tic's bold art gained acceptance in prestigious institutions and collaborated with major fashion brands like Longchamp, Kenzo, and Louis Vuitton, elevating her status in the contemporary art world.

Throughout her career, Miss.Tic participated in numerous solo and group exhibitions in France and internationally, contributing to the institutional recognition of her work. Her creations are now held in major public and private collections, notably at the Victoria and Albert Museum in London and the Fonds Municipal d'Art Contemporain of the City of Paris.

Her work played a significant role in establishing stencil art as a major medium of contemporary urban art. Through her unique combination of poetry, humour, political engagement and street art aesthetics, Miss.Tic remains an essential figure in urban art, stencil art, French contemporary art and feminist art, continuing to influence many artists around the world.

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