Bronze Sculpture for Sale
Print : gold leaf, digital print
99.1 x 99.1 x 2.5 cm 39 x 39 x 1 inch
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Type
Numbered and limited to 5 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
99.1 x 99.1 x 2.5 cm 39 x 39 x 1 inch Height x Width x Depth
Support
Framing
White frame
Artwork dimensions including frame
109.2 x 109.2 x 3.8 cm 43 x 43 x 1.5 inch
Tags
Artwork sold in perfect condition, framed, ready to hang
Artwork location: United States
This series explores the tension between manufactured perfection and authentic human identity. Inspired by the philosophy of kintsugi — the Japanese art of embracing fractures rather than concealing them — the works transform cracks, imperfections, and emotional scars into symbols of illumination and healing. At first glance, the figures appear almost impossibly perfect. Their beauty feels familiar, yet distant — shaped by contemporary ideals increasingly influenced by digital culture, artificial intelligence, and algorithmically reinforced standards of beauty. Yet beneath these flawless surfaces, fractures emerge. Light escapes through the cracks, revealing something more intimate and profoundly human beneath the illusion. These openings become metaphors for vulnerability, self-acceptance, and emotional truth. The use of hand-applied crackled gold leaf reinforces this tension between fragility and value. Gold, traditionally associated with luxury and permanence, is intentionally fragmented and distressed. Technically, the series merges advanced digital image construction with artisanal craftsmanship, creating a dialogue between synthetic perfection and human vulnerability. Rather than rejecting technology, the works examine the emotional consequences of living within systems that continuously shape our perception of beauty, identity, and self-worth.
Collector’s Guide
Contemporary artist Jonas Leriche, was first introduced to photography by his mother in Antwerp, Belgium where he grew up. After years working as a fashion photographer, he decided to move to New York and begin a career in fine art.
Even at a young age he was fascinated by the beauty of nature, and it has been a mayor source of inspiration throughout his life. This authentic experience stands in sharp contrast with the world in which he has lived and worked for the last decade, a world dominated by mere appearance, social media posturing and superficiality. The driving force behind his work is the desire to inject the rawness of nature into the seamless, controlled perfection of his art in order to undermine the facile gaze of viewers unaccustomed to scratching any deeper than the surface.
Transforming raw emotions into gripping images is what matters to him. Constructing his photographs layer by layer, with meticulous attention to detail, he composes his own vision of beauty. Taking the actual photo is but the final stage of a long, deliberate process, punctuated by flashes of inspiration.
Fascinated by the colors and shapes of nature’s raw materials he always had a very sculptural approach towards his creations. His sculpting on live models became a true art-form on itself, captured elegantly in his behind the scenes stories.
Working with this tangible and fascinating materials, photography alone soon felt too limited to fully reflect the beauty of nature’s elements. Although he was never classically trained as a sculptor, Jonas sculptures soon became a natural extension of his imagination.
In his latest collection, titled “Vanity Skulls”, he injects raw human emotions into meticulously detailed luxury sculptures. The Vanity Skulls are symbolic sculptures showing the transience of life, the futility of pleasure and the certainty of death, contrasting symbols of wealth and symbols of ephemerality and death.
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