Hav a Havana VII, 2008
Mel Ramos   Master Artists

Print : lithography · 75.6 x 113 cm 29.75 x 44.5 inch

€13,430 13 430 €

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Shipped from: United States

Delivery to: Germany , € 97

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About the artwork

Type

Print : numbered and limited to 199 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

75.6 x 113 cm 29.75 x 44.5 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Description

“Hav a Havana VII" by Mel Ramos captures the luxurious essence of premium cigars through bold Pop Art techniques that showcase the artist's iconic mastery of combining sensual pin-up imagery with commercial product branding from the 1960s American art movement.

This striking lithograph transforms the Havana cigar into a celebration of indulgence and feminine allure, rendered with Ramos's characteristic vibrant palette and provocative compositions that embody the spirit of Pop Art's commentary on consumer desire and luxury advertising culture. The artist Mel Ramos revolutionized contemporary art by merging voluptuous female figures with iconic brand products, creating compositions that bridge the gap between commercial imagery and fine art sophistication. A perfect addition for collectors who appreciate Pop Art history and the intersection of luxury cigar branding themes with mid-century American visual culture.

Lithograph, signed and numbered in pencil
Edition of 199, AP 50

Nude

Pop Art

Cigar

Human body

Women

Pin-up

Advertising

Beige

brown

Mel Ramos, Hav a Havana VII

Mel Ramos

United States  • 1935  - 2018
575 followers

Presentation

Born on July 24, 1935 in Sacramento, Mel Ramos began his artistic studies in his hometown in 1953. His first exhibition was held at the David Stuart Gallery in 1965 and he also had shows in Europe starting from 1971. The Oakland Museum in California organized his first retrospective exhibition in 1977.

His painting is clearly inscribed in the pop art movement. As Roy Lichtenstein, he is inspired at the beginning of his career by American comics, by the Batman or Flash Gordon logos. Pin-ups are also a recurring themein his work and he chooses to illustrate them by figures that are isolated on backgrounds represented by brand logos. From 1970 on, Mel Ramos hijacks classics of art history as Edward Manet's Olympia or Jacques-Louis David's « Amour et Psyché ».

Mel Ramos's work is present in more than thirty public collections, including the Smithsonian Institution in Washington, the Guggenheim and the MoMA in New York or the Hamburger Kunsthalle.

On the occasion of its 75th anniversary and of the anniversary of 50 years of Pop-Art, he had a major retrospective exhibition at the Albertina in Vienna and at the Villa Stuck in Munich.

An artist of the diversion, refusing to provoke, Ramos sees in the 60's California an anticipation of our civilization where images are omnipresent. By multiplying the representation of the female body without any sexual connotations but in the context of hijacked ads, Mel Ramos illustrates the derisory side of icons and symbols of the consumerist « religion ». (which sets him apart within the pop movement). This way, he also questions the true-false values that advertising and Hollywood put forward, starting with the emancipation of women. Focusing on the female figure and its natural side, he contributed to the contemporary evolution of the nude.

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