La Guerre (d'après l'œuvre originale d'Henri Rousseau), 1976
Henri Rousseau dit Le douanier Rousseau   Master Artists

Print : lithography · 57 x 75 cm 22.4 x 29.5 inch

€260 260 €

One of the last works available by this artist

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About the artwork

Type

Print : numbered and limited to 300 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Plate signed

Technique & Support

Dimensions ( cm • inch )

57 x 75 cm 22.4 x 29.5 inch Height x Width x Depth

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Description

Henri Rousseau - War (after the original work by Henri Rousseau), 1976
Lithograph on paper from Le Moulin du Gué
Signed on the plate, authenticated by the artist's dry stamp featuring his profile, and also bearing the publisher's dry stamp.
Numbered in pencil
Work published by “Les Imprimeries Parisiennes" in 1976 with the authorization of the artist's estate.
Edition of 300 copies
The numbering on the work may differ from that shown in the photo

Henri Rousseau dit Le douanier Rousseau, La Guerre (d'après l'œuvre originale d'Henri Rousseau)
France  • 1844  - 1910
77 followers

Presentation

Henri Julien Félix Rousseau (May 21, 1844 – September 2, 1910) was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll collector. He started painting seriously in his early forties; by age 49, he retired from his job to work on his art full-time.

Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality. Rousseau's work exerted an extensive influence on several generations of avant-garde artists.

From 1886, he exhibited regularly in the Salon des Indépendants, and, although his work was not placed prominently, it drew an increasing following over the years. Tiger in a Tropical Storm (Surprised!) was exhibited in 1891, and Rousseau received his first serious review when the young artist Félix Vallotton wrote: "His tiger surprising its prey ought not to be missed; it's the alpha and omega of painting." Yet it was more than a decade before Rousseau returned to depicting his vision of jungles.

In 1893, Rousseau moved to a studio in Montparnasse where he lived and worked until his death in 1910. In 1897, he produced one of his most famous paintings, La Bohémienne endormie (The Sleeping Gypsy).

In 1905, Rousseau's large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited at the Salon des Indépendants near works by younger leading avant-garde artists such as Henri Matisse, in what is now seen as the first showing of The Fauves. Rousseau's painting may even have influenced the naming of the Fauves.

In 1907, he was commissioned by artist Robert Delaunay's mother, Berthe, Comtesse de Delaunay, to paint The Snake Charmer.

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