Espriu - Miró II, 1975
Joan Miró   Master Artists

Print : aquatint, etching · 70.3 x 85.7 x 0.1 cm 27.7 x 33.7 x 0 inch · Ready to hang

$15,159 15 159 $US

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About the artwork

Type

Print : numbered and limited to 50 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70.3 x 85.7 x 0.1 cm 27.7 x 33.7 x 0 inch Height x Width x Depth

Artwork dimensions including frame

90 x 105 x 2 cm 35.4 x 41.3 x 0.8 inch

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Description

Joan Miro (1893-1983) - Espriu - Miró II

Etching and aquatint with carborundum from 1975.

The edition of 15/50 on Guarro paper with Sala Gaspar watermark.

Dimensions of work: 70.3 x 85.7 cm.

Hand signed.

Publisher: Sala Gaspar, Barcelona.

Reference: Dupin 870; Cramer 197.

The work is in Good condition.



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Joan Miró's Espriu–Miró II (1975) forms part of a collaborative project honouring the Catalan writer Salvador Espriu, whose poetry and prose deeply influenced Miró's vision of Catalan identity and cultural memory. Rather than illustrating specific verses, Miró responds to Espriu's atmosphere—his blend of austerity, symbolism, and lyrical clarity—translating it into an abstract visual language marked by intensity and restraint.

The work employs etching, aquatint, and carborundum, a combination that lends both precision and material depth. Carborundum creates dense, gritty surfaces that echo the emotional weight and textured gravity of Espriu's writing, while the etched lines and aquatint fields introduce rhythm, lightness, and the sense of a poetic gesture unfolding across the sheet. The composition feels at once solemn and vibrant, capturing the dialogue between word and image that defines the Espriu–Miró collaboration.

Printed on Guarro paper with the Sala Gaspar watermark, the work belongs to the edition of 50, this impression numbered 15/50. Measuring 70.3 × 85.7 cm, it is hand-signed and was published by Sala Gaspar, Barcelona, the gallery that served as one of Miró's closest partners for decades. The print is catalogued in both Dupin (no. 870) and Cramer (no. 197), confirming its place within Miró's major graphic production of the 1970s.

This example is preserved in good condition, retaining the richness of its carborundum textures and the clarity of Miró's gestural marks. Espriu–Miró II stands as a powerful testament to Miró's ability to respond to literature not through representation but through a parallel poetic language—one in which signs, textures, and colours carry emotional resonance equal to that of Espriu's words.

Abstract

Abstract art

Red

Joan Miró, Espriu - Miró II

Joan Miró

Spain  • 1883  - 1983
1656 followers

Presentation

Joan Miró (1893–1983) was a revolutionary Catalan painter, sculptor, and ceramicist whose bold, surreal, and symbolic style redefined 20th-century art. Born in Barcelona, he developed a unique artistic language that blended abstract forms, vibrant colors, and dreamlike imagery. His work, spanning painting, sculpture, engraving, and ceramics, continues to inspire contemporary artists and collectors worldwide.

From an early age, Miró was immersed in creativity. His father, a jeweler, and his mother, a cabinetmaker, introduced him to the world of craftsmanship. Initially pushed toward a business career, he studied commerce before abandoning it to pursue his true passion—art. By 1912, he was fully dedicated to painting, training at the Llotja Fine Arts School and later at the Galli Academy in Barcelona. Influenced by Fauvism, Cubism, and Expressionism, Miró's early works reflected these modern movements while maintaining a strong connection to his Catalan roots.

In 1919, Miró moved to Paris, where he became a key figure in the avant-garde scene. He connected with leading Surrealist artists and poets, including André Breton, Paul Éluard, and Tristan Tzara, and developed his distinctive style—rejecting conventional techniques in favor of spontaneity and abstraction. His breakthrough came in 1925 with the "Surrealist Painting" exhibition at Galerie Pierre, where he unveiled Carnaval d'Arlequin, a masterpiece of vibrant, surreal symbolism. That same year, he created The Birth of the World, a landmark work that merged his Catalan heritage with his Parisian influences.

Though deeply associated with Surrealism, Miró sought total artistic freedom. By the late 1920s, as political tensions grew within the movement, he distanced himself to explore new techniques. Throughout the 1930s and beyond, he experimented with collage, monumental sculpture, and ceramics, continuously pushing artistic boundaries. His large-scale murals, such as those created for UNESCO's headquarters in 1958, and his celebrated Blue I, II, III triptych (1961) cemented his status as a modern master.

Today, Joan Miró's legacy endures through his influence on abstract expressionism and contemporary art. His works are housed in major institutions worldwide, including the Fundació Joan Miró in Barcelona, MoMA in New York, and the Tate Modern in London. Collectors and art lovers continue to admire his pioneering vision, making him one of the most celebrated and influential artists of the 20th century.

Surrealism

European Avant-Gardes

Mid-century inspiration

Printmakers

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