Nature morte au bouquet, Circa 1970
Print : lithography · 80 x 28 cm 31.5 x 11 inch · Ready to hang
€300
300 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: France , € 25
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 50 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
80 x 28 cm 31.5 x 11 inch Height x Width x Depth
Artwork dimensions including frame
85 x 33 cm 33.5 x 13 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
André Minaux (1923–1986) is a French painter and lithographer recognized for his compositions that are both poetic and colorful, where still life and the plant world transform into lyrical abstractions. His graphic work, particularly his lithographs, is sought after by collectors around the world.
In this Still Life with a Bouquet, André Minaux revisits a classic theme through a resolutely modern writing. The vase and the plant elements, simplified into soft and colored shapes, are set in a space structured by large geometric flat areas.
The palette, dominated by greens, ochres, and oranges, creates a subtle balance between organic forms and abstract construction. Minaux abandons traditional perspective in favor of a composition where lines, surfaces, and colors freely organize space.
This lithograph thus testifies to the characteristic evolution of his work, between figuration and abstraction, and his remarkable mastery of color and composition.
Presentation
André Minaux (1923-1986) is a French painter, illustrator, sculptor, draftsman. A former student of Ecole décoratifs, he received teachings from Maurice Brianchon and Roland Oudot. He belongs to the illustrious Ecole de Paris, the Young painter movement of the 50’s and Painter Witnesses of their time. He served in the military in Avignon, the southern lights have an influence on his pictorial approach.
Through his first movement, his paintings put down roots on Man and Nature’s return, which is the main focus of painting. He gives the necessary outlines to the Jeune peinture called Pessimism. André Minaux plays around but also thwarts material and volumes. His discipline is protean. André Minaux has adopted several periods: naturalism, rustic, baroque, figurative, musical instruments and the non-figurative one…
Due to his powerful strokes, he is able to extract an inexhaustible strength from his compositions. At the heart of after-war, his works capture the euphoric context through French expressionist realism “This is the pace which unites a painting” says André Minaux. “One could consider Minaux’s approach a lot like the one of Matis, in his quest for perfection”. Jean Bouret, Minaux peintre, éditions Sauret, 1977.
The Modern art museum of Paris, bought one of his paintings in 1950. Tate Gallery from London, took possession of one of his works. He participated at the Salon d’automne in 1948 with Le Raccommodeur de filets, this work was saluted by a multitude of art critics. A year later, his work was awarded by the critique prize and displayed his work at the Salon des Jeunes peintres, at the Claude gallery at rue de Seine, Paris. He exhibited at the Venice Biennial of 1952. André Minaux illustrated several great writers like André Gide, Blaise Cendrars, Maguerite Duras, Julien Gracq…
Through his first movement, his paintings put down roots on Man and Nature’s return, which is the main focus of painting. He gives the necessary outlines to the Jeune peinture called Pessimism. André Minaux plays around but also thwarts material and volumes. His discipline is protean. André Minaux has adopted several periods: naturalism, rustic, baroque, figurative, musical instruments and the non-figurative one…
Due to his powerful strokes, he is able to extract an inexhaustible strength from his compositions. At the heart of after-war, his works capture the euphoric context through French expressionist realism “This is the pace which unites a painting” says André Minaux. “One could consider Minaux’s approach a lot like the one of Matis, in his quest for perfection”. Jean Bouret, Minaux peintre, éditions Sauret, 1977.
The Modern art museum of Paris, bought one of his paintings in 1950. Tate Gallery from London, took possession of one of his works. He participated at the Salon d’automne in 1948 with Le Raccommodeur de filets, this work was saluted by a multitude of art critics. A year later, his work was awarded by the critique prize and displayed his work at the Salon des Jeunes peintres, at the Claude gallery at rue de Seine, Paris. He exhibited at the Venice Biennial of 1952. André Minaux illustrated several great writers like André Gide, Blaise Cendrars, Maguerite Duras, Julien Gracq…
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