Sea Food Restaurant Rebellion, 2026
David Pinegar  

Print : pigment ink, inkjet, digital print · 86.4 x 111.8 x 0.3 cm 34 x 44 x 0.1 inch

£2,800 2 800 £GB

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Shipped from: United Kingdom

Delivery to: United Kingdom , £ 10

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 25 copies

25 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the artist

Signature

Hand-signed by artist

Dimensions ( cm • inch )

86.4 x 111.8 x 0.3 cm 34 x 44 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2022

Description

A visual exploration where light and color intertwine.
The image transforms domestic objects into fluid and organic shapes.
The gaze circulates between sinuous curves and saturated blocks of color.
Each area reveals a precise texture, the result of meticulous construction before capture.
The deep blue dialogues with yellow and orange hues.
The composition plays with magnification to alter our perception of reality.
The space seems to undulate, suggesting a perpetual and mysterious movement.
The eye is invited to interpret these abstract silhouettes according to its own imagination.
The digital aspect brings surgical sharpness to the gradients.
The neutral background makes the density of the pigments stand out.
The whole rests on a balance between technical rigor and conceptual freedom.
This creation is an ink-jet print with pigments made in 2025.

David Pinegar, Sea Food Restaurant Rebellion

David Pinegar

United Kingdom  • 1959

Presentation

Stemming from an idea that began 7 years ago, David A Pinegar’s images present a new and immediate way of seeing. The subjects in David’s images are everyday objects found around the house, but through the discovery of a new method of intensifying colour and light, his images present an original view of reality.

Wall of Colour is David’s first series of fine art pieces. A commercial photographer of 30 years, David’s abstract work provides a platform for him to manipulate the powerful elements that lay behind and attached him to his previous pictures - light, texture, and colour. ‘Painting’ with these elements, David subjects are carefully constructed before the picture is taken, allowing each component to be completely absorbed by the lens. The result is a series of images, presents a completely unique viewpoint, one that reveals the bewitching power of magnified vision.

David’s images transform colour and light into fluid layers, intricately, pushing and pulling them before us. The potential of David’s images to enrich the imagination is huge, each diving and twisting shape becoming something different in the eye go the beholder. Indeed, it is David’s intention is to stimulate the mind, allowing the intensity of colour and rippling textures to encourage the indulgence of enigmatic thoughts.

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