Fortuna indiferente, 1990
Print : etching · 75 x 54.5 cm 29.5 x 21.5 inch
One of the last works available by this artist
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Shipped from: Spain
Delivery to: United States , $ 70
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
75 x 54.5 cm 29.5 x 21.5 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
An original print by Javier de Juan, born in Linares in 1958, one of the artists formed in the Madrid of the Movida who carried the graphic energy of that moment into a sustained practice across painting, comics, illustration and film. De Juan was a founder of the comic magazine Madriz in 1984, and his work retains from that origin a narrative economy: figures caught mid-gesture, colour applied in flat declarative zones, the composition organised as though a frame had been lifted from a longer sequence. The title names Fortune, the classical goddess whose wheel turns without regard for merit, and whose indifference is the point rather than her cruelty. The vertical sheet measures 75 by 54.5 centimetres. De Juan has exhibited internationally and works between Madrid and Latin America.
Presentation
Javier is particularly interested by the city, its architecture, progress and the inhabitants. He transposes this through many techniques (drawing, painting, installation, engraving, printing, video and cinema). The artist tries to involve the public as much as possible and broadcast his artistic work.
In the 90's, he moved to Mallorca where he developed a more personal and symbolic work which helped him express his own ideas. This encouraged him to use large formats, on which he portrays chaos and infinitude of the world. His move to Muricia, far from the urban life made him create more introspective work, and this needed reflection.
He doesn't follow any trend or fashion and is therefore appreciated for this, in fact he shows his own viewpoint. He was awarded the National prize for engraving and received a grant from the Marbella museum. When he came back to Madrid, Juan focused on wooden, paper and fabric collages, working with new mediums and new technology.
During the 2000's, he began 3D work on collective memory, using his own symbolic elements and language. In 2003, his work went through an important retrospective in Mallorca. He began his first video editing in 2004, his personal testimony on new technologies, which guided him to make movies gradually. In 2008, he mainly created visuals like 3D animations. Recently, he has once again turned towards the object and has begun to manipulate photos.
His work is particularly appreciated by galleries and international institutions like Telefonica Foundation, Lidner Foundation, Dusseldorf Collection of the Teatro Real Madrid, Contemporary art museum in Madrid.
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