El espejo de Venus tiene escamas, 2018
Print : lithography · 50 x 70 cm 19.7 x 27.6 inch
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Shipped from: Spain
Delivery to: Germany , € 38
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 75 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
50 x 70 cm 19.7 x 27.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
El espejo de Venus tiene escamas, a colour lithograph of 2018 by Ouka Leele, the name adopted by Barbara Allende Gil de Biedma (Madrid, 1957-2022), on a horizontal sheet of 50 by 70 cm, in an edition of seventy-five. Ouka Leele was among the defining figures of the Movida madrilena, and her method, photographing in black and white and then colouring the print by hand in watercolour, produced images of a saturated, dreamlike artificiality that became emblematic of Madrid in the early nineteen-eighties. She received the Premio Nacional de Fotografia in 2005. The title, the mirror of Venus has scales, belongs to the mythological and marine repertoire that runs through her work. Lithography transfers that hand-coloured photographic idiom to a printed edition, retaining the flat, applied character of the colour.
Presentation
Ouka Leele (Bárbara Allende Gil de Biedma, Madrid, 1957 - Madrid, 2022) was a Spanish artist, painter, poet and photographer, winner of the National Photography Prize in 2005. She studied piano and painting, and after giving up Fine Arts she joined the Photocentro school in Madrid; her first photographs appeared in the 1976 book "Principio, 9 jóvenes fotógrafos españoles". Rejecting the look of colour photography, she began hand-colouring black-and-white prints with watercolours, a technique that became her hallmark and first flourished in her iconic series "Peluquería" (1979). A leading figure of the Movida madrileña alongside Javier Mariscal, Ceesepe, Alberto García-Alix and Pedro Almodóvar, she designed the hats for Almodóvar's film "Laberinto de pasiones". She called herself the creator of "domestic mysticism", seeing her work as a sublimation of the everyday, and described it as visual poetry, "a way of speaking without words". She exhibited at Arles at 22, lived in New York in 1980-81, and took part in the São Paulo Biennial and held her first retrospective in 1987, the year she wrapped Madrid's Cibeles fountain for her work "Rappelle-toi, Barbara". She showed at the Fondation Cartier in Paris, in Tokyo, London, Shanghai and Beijing, where her show "Entre dos mundos" (2008) was named best exhibition of the year in China, and was the first Spanish artist at the Shanghai Biennale. Her work is held in the Museo Reina Sofía, the Fondation Cartier and the Centro Andaluz de Fotografía, among others. She also created a nearly 300 m² mural in Ceutí, Murcia, subject of the documentary "La mirada de Ouka Leele" (Goya nominee, 2010). She died of breast cancer in 2022, and PhotoEspaña awarded her its Honour Prize posthumously that year.
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