Bronze Sculpture for Sale
Nude on floral Cloth, 1985
Print : etching · 75 x 58 cm 29.5 x 22.8 inch
$482
482Â $US
Shipping & delivery
Shipped from: United Kingdom
Delivery to: United States , $ 55
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
75 x 58 cm 29.5 x 22.8 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • United Kingdom
Credentials
Vetted seller since 2016
Description
This striking artwork presents a vivid portrayal of a reclining figure, executed in a bold and confident style. The composition is dominated by strong, black outlines that define the form with assertive clarity against a contrasting red and white background. The figure is rendered in a rich ochre hue, creating a dynamic interplay with the purple pattern that decorates the white spaces surrounding and behind the subject. The positioning of the figure, with one arm resting contemplatively on the chin and one leg drawn slightly upward, exudes a sense of relaxed introspection. The use of flat, expressive shapes and colors emphasizes a sense of modernity and abstraction, inviting the viewer to focus on the essence of the form rather than realistic details. Notably, the bold, flat application of color, coupled with the deliberate distortion of proportions, harks back to influences of expressionism and primitive art. The artist’s technique creates a visual tension that captures attention and stirs curiosity, urging the audience to explore the deeper emotional undercurrents and cultural motifs embedded within the work. This piece compels engagement through its unapologetic presentation and masterful use of colour and form.
Presentation
Gernot Kissel is a German painter born in 1939 in Worms on the Rhine in Germany and died in 2008. An engineer and architect by training, he learned painting self-taught at the age of 18.
His still lifes and landscapes are typical expressionist works, made of vibrant colors and bold lines. Kissel is best known, however, for his female nudes or portraits which are painted with an almost disconcerting confidence. Her female figures have a direct and powerful sensuality and force the observer to admire them. Through them we feel the artist's love for women.
Kissel's work inevitably compares with the recognized and extremely fashionable German Expressionists of the 20th century, particularly Ernst Ludwig Kirchner, Erich Heckel and in terms of portrait painting, Alexey von Jawlensky. Another comparison can be made to the elegant canvases of Kees Van Dongen or to the profound sense of color as used by British artist Sir Matthew Smith.
Gernot Kissel's paintings have over time been successfully exhibited in Germany but also in England in London, Richmond and Newcastle. In June 2008, he was also exhibited in New York. His works are currently visible in many museums and private collections throughout Europe.
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Gernot Kissel published two books in Germany, namely
1. KISSEL FRAUEN - published in 1989, 240 pages
2. KISSEL Er selbst (Himself) - Women, landscapes and still lifes in 2007, 174 pages.
Most of the paintings shown are privately owned and have been sold at gallery exhibitions in Europe and the UK, as well as at art fairs.
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Excerpts from these books:
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"Gernot Kissel is the continuator of an important part of German art. He adds another vital chapter and is a person who preserves the beauty of art and the body. Painting with all his heart and soul , he keeps the fascination of color alive. It is a pleasure to see his works"
Prof. Dr. Helge Bathelt
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"Who can deny that Kissel's works are, above all, excellent paintings? Since the days of Alexey Jawlensky, their intense colors and bold contrasts have remained unmatched"
Prof. Dr. Helge Bathelt
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"The simplicity behind self-confident works of art is irritating, because we are accustomed to the complexity of theoretical artistic constructions, typical of the contemporary art scene, and we do not know the works of art which were painted with pure joy and passion, making them easy to understand without requiring interpretation and making them simply enjoyable through their pure beauty."
Dr. Cornelia Vogt-Beck
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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