Cavalli e Rovine (Horses and Ruins), 1954
Giorgio de Chirico   Famous Artists

Print : lithography · 49 x 60 x 0.2 cm 19.3 x 23.6 x 0.1 inch

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About the artwork

Type

Print : numbered and limited to 125 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

49 x 60 x 0.2 cm 19.3 x 23.6 x 0.1 inch Height x Width x Depth

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Description
"Cavalli e rovine" is an original hand-signed lithograph realized by Giorgio de Chirico in 1954.
It comes from the Suite: "Cavalli e Ville". This is an edition of 125 prints.

It was published in the general catalogue "G. de Chirico: Catalogo dell'Opera Grafica 1921-1969", by Alfonso Ciranna, Edizione La Medusa, Roma, 1969, n. 126.

The widely renowned precursor of Surrealism was the Italian painter Giorgio de Chirico (1888-1978). De Chirico’s definitely ambiguous artworks of cityscapes are the most celebrated examples of a movement called Pittura Metafisica, or Metaphysical Painting.

Landscape

Animal

Surrealism

Metaphysical art

Grey

Giorgio de Chirico, Cavalli e Rovine (Horses and Ruins)
Italy  • 1888  - 1978
96 followers

Presentation

Giorgio de Chirico (1888-1978) was an Italian painter, sculptor and writer who invented metaphysical painting under the sign of revelation.

He moved to Paris in 1911 and first fascinated Guillaume Apollinaire who, in 1913, introduced the artist into his circle - Picasso, Derain, Max Jacob, Braque, Picabia, etc. - as well as Paul Guillaume, his first merchant.

The dreamlike, prophetic dimension, the subtle incongruities and the shifts observed in the work of Giorgio de Chirico have, from the beginning of the 1920s, immediate resonances on the nascent surrealism, from Magritte, Ernst to Picabia and Eluard. André Breton sees in the artist the demiurge of a “modern mythology" in formation (1920) before accusing him of anti-modernist regressions in 1926.

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