Cavalli e Rovine (Horses and Ruins), 1954
Print : lithography · 49 x 60 x 0.2 cm 19.3 x 23.6 x 0.1 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 125 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
49 x 60 x 0.2 cm 19.3 x 23.6 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2019 • Top Seller
Description
It comes from the Suite: "Cavalli e Ville". This is an edition of 125 prints.
It was published in the general catalogue "G. de Chirico: Catalogo dell'Opera Grafica 1921-1969", by Alfonso Ciranna, Edizione La Medusa, Roma, 1969, n. 126.
The widely renowned precursor of Surrealism was the Italian painter Giorgio de Chirico (1888-1978). De Chirico’s definitely ambiguous artworks of cityscapes are the most celebrated examples of a movement called Pittura Metafisica, or Metaphysical Painting.
Presentation
Giorgio de Chirico (1888-1978) was an Italian painter, sculptor and writer who invented metaphysical painting under the sign of revelation.
He moved to Paris in 1911 and first fascinated Guillaume Apollinaire who, in 1913, introduced the artist into his circle - Picasso, Derain, Max Jacob, Braque, Picabia, etc. - as well as Paul Guillaume, his first merchant.
The dreamlike, prophetic dimension, the subtle incongruities and the shifts observed in the work of Giorgio de Chirico have, from the beginning of the 1920s, immediate resonances on the nascent surrealism, from Magritte, Ernst to Picabia and Eluard. André Breton sees in the artist the demiurge of a “modern mythology" in formation (1920) before accusing him of anti-modernist regressions in 1926.
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