ABC for Democracy D is for Dancing Ministers. Litogrpahy, 2006
Print : lithography · 60.3 x 55.9 x 0.3 cm 23.75 x 22 x 0.1 inch · Ready to hang
One of the last works available by this artist
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 20 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
60.3 x 55.9 x 0.3 cm 23.75 x 22 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
67.3 x 71.1 x 5.1 cm 26.5 x 28 x 2 inch
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Credentials
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Description
D is for Dancing Ministers, 2006 by Anton Kannemeyer Limited Edition. 6
ColorLithograph Mounted to a passepartout 22 x 23.75 inches
Image size: 19 x 18 in.
Frame size: 26.5 x 28 x 2 in.
Edition 9/20 + 1AP.
The artwork titled "D is for Dancing Ministers" is immediately striking and engaging, blending humor with social commentary. The piece showcases two African American men, both attired in dark suits, immersed in an animated dance. Each figure is vividly characterized; their dynamic postures and facial expressions capture an infectious exuberance and sheer joy of dancing. One man is depicted mid-step with his leg raised and a jubilant smile, while the other matches his energy with an equally spirited movement. The artist employs a keen eye for detail and a vibrant color palette, particularly in the lively contrasts within the dancers' suits and backgrounds, which emphasizes the figures and their movements. The illustration invokes a sense of rhythm and celebration, allowing the viewer almost to hear the music that might accompany such a scene. Below the central figures, the text "d is for dancing ministers" is boldly and clearly written, adding a layer of narrative and perhaps a playful critique or commentary regarding roles and expectations in society. This work not only captures a joyous moment but also serves as a provocative and entertaining piece, inviting viewers to ponder the delightful irony presented. The artist's ability to blend exuberant energy with pointed societal reflection establishes "D is for Dancing Ministers" as a uniquely compelling piece in contemporary art.
Presentation
Anton Kannemeyer was born in Cape Town. He studied graphic design and illustration at the University of Stellenbosch, and did a Master of Arts degree in illustration after graduating. Together with Conrad Botes, he co-founded the magazine Bitterkomix in 1992 and has become revered for its subversive stance and dark humor. H e has been criticized for making use of "offensive, racist imagery". Kannemeyer himself said that he gets "lots of hate mail from white Afrikaners".
His works challenge the rigid image of Afrikaners promoted under Apartheid, and depict Afrikaners having nasty sex and mangling their Afrikaans. “X is for Xenophobia", part of his "Alphabet of Democracy", depicts Ernesto Nhamwavane, a Mozambican immigrant who was burnt alive in Johannesburg in 2008. Some of Kannemeyer's works deal with the issues of race relations and colonialism, by appropriating the style of Hergé's comics, namely from Tintin in the Congo. In "Pappa in Afrika", Tintin becomes a white African, depicted either as a white liberal or as a racist white imperialist in Africa. In this stereotyped satire, the whites are superior, literate and civilised, and the blacks are savage and dumb. In "Peekaboo", a large acrylic work, the white African is jumping up in alarm as a black man figure pokes his head out of the jungle shouting an innocuous 'peekaboo!. A cartoon called "The Liberals" has been interpreted as an attack on white fear, bigotry and political correctness: a group of anonymous black people (who look like golliwogs) are about to rape a white lady, who calls her attackers "historically disadvantaged men".
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