L'As de Trèfle, 1992
Print : aquatint, eau-forte, 3D print, collage · 92 x 77 cm 36.2 x 30.3 inch
$579
579 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 46
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from Éditions RLD
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 60 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Éditions RLD
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aquatint , eau-forte , 3D print , collage on Fine art paper
Dimensions ( cm • inch )
92 x 77 cm 36.2 x 30.3 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Original etching enhanced with collages by Max Papart.
Offprint at large margins from the book / Sourdes romances by Michel Butor.
The numbering may differ from that of the photo.
Sold without frame
Offprint at large margins from the book / Sourdes romances by Michel Butor.
The numbering may differ from that of the photo.
Sold without frame
Presentation
Max Papart's paintings and graphics are suffused with sunny humor and the bright colors of the French Riviera where he was born.
Working in the cubist style, he depicted circus scenes, flirting couples, soaring birds and similar cheerful subjects with flat, overlapping planes of contrasting colors and textures.
Max Papart is considered a master printmaker. He was born in Marseille, France and later moved to Paris where he learned the techniques of classic engraving. In 1960, he added to the classic processes the technique of etching with carborundum invented by his friend Henri Goetz. In following years Papart taught printmaking at the University of Paris VIII-Vincennes. He continued making his own plates and supervising the hand printing of his prints until he died in 1995.
One of the most intriguing intellectual concepts which Papart achieves is a "window" through which the viewer senses the past or future, or even another time or place. It has been said the Papart does not "paint," he "composes." His compositions come together in a symphony of line, shape and color. Papart always believed that each painting has its own meaning and needed no interpretation from him. His paintings, in his own words, "force the viewer to think, and it is for the viewer to respond to the art based on his own personal experiences."
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