L'Attrape Rêve #1, 2019
Eric Beauplace  

Sculpture : acrylic, metal, mirror · 53 x 103 x 20 cm 20.9 x 40.6 x 7.9 inch

$8,201 8 201 $US

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Shipped from: France

Delivery to: United States , $ 658

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

acrylic , metal , mirror , without pedestal

Dimensions ( cm • inch )

53 x 103 x 20 cm 20.9 x 40.6 x 7.9 inch Height x Width x Depth

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Credentials

Vetted seller since 2015

Discount

This seller offers discount when you purchase multiple artworks.

Description

This artwork is a striking composition titled "Hat," created by the avant-garde artist Yaacov Agam in 1971. Fabricated from woven straw, mirror, and paper, it presents a bold interplay of textures and forms. The woven straw forms an elegant, fluid curve, evoking the softness and movement of fabric. Embedded mirror pieces refract light, adding a dynamic and interactive element that invites viewers to engage with changing reflections. Colorful paper elements are meticulously arranged to introduce geometric vibrancy, echoing Agam's signature kinetic style. The contrast between natural and artificial materials underscores the fusion of tradition and modernity. This piece exemplifies Agam's exploration of perception and movement, transforming a simple object into a complex visual narrative. The artwork's unique assembly challenges traditional art boundaries, captivating viewers with its innovative use of everyday materials and thought-provoking design.

Abstract

Wall sculpture

Abstract art

White

France

Presentation

Eric Beauplace is a contemporary French plastic artist born in 1962 who lives and works in Paris, France. The term 'plastic artist' is not used here in the traditional sense. Eric Beauplace manipulates materials, creates colours and volumes, and composes, but the tools he uses are not those of a sculptor or a painter. Nothing is fixed in the works he produces; motion is constant. His works are intimately linked to the surrounding light, the movements of the viewer and of every eye that settles on them. Eric Beauplace's wall sculptures use materials to receive light and pass it on to each other, creating an intense optical experience.

The transparencies and reflections, sparkles, diffractions, and other phenomena that they produce open up many possible avenues for interpretation. Colours are born, blend and break free, patterns repeat and give rhythm to the whole. Unpredictability prolongs the work indefinitely, in a harmony of sculptural contingencies meticulously set up by the artist. As a viewer himself of what he creates, Eric Beauplace is a researcher: he experiments, observes, pursues to the end and repeats his creative processes. His work is a constant experiment that he invites the viewer to participate in. More than just conveying a message, the artist aims to arouse a sense of escape, perhaps even meditation.

The artist has created a path with the viewer at the centre, walking through this changing environment, never able to completely discern what it is. A dimensional, chromatic intimacy is forged, a reflection of the visible and its slow changes. This unique, fluid and highly visual work by Eric Beauplace is experienced through contemplation and, at the risk of losing ourselves in it, enriches us with a new spirituality.

Eric Beauplace's achievement is not only the object's structural form but also the relationship between the viewer, the work and its environment.

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