Acrylic tridimensional wall sculpture Sculpted pigment print on forex acrylic. The artist's technique consists of the use of two prints, the first print is the original photography, the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glue the glass parts on top of the original picture, creating a blurred effect.
This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art.
Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams, Penélope Cruz, Jennifer Lopez, Ewan McGregor, Lalisa Manoban, Adria Arjona, and Bruno Mars, among many others. Yet his focus goes beyond portraiture—what truly interests him is what remains when the image stops being literal and begins to emerge as a living object. His current body of work includes both new pieces and selected artworks from the artistic legacy of Hunter & Gatti, which he now manages. These are duly credited as “ created by Hunter & Gatti,” presented alongside his personal practice and establishing a dialogue between history, transformation, and contemporary gaze. His work has been exhibited in cities such as Barcelona, New York, and Miami, and reflects a visual practice grounded in experience, exploration, and ongoing evolution.
This artwork presents a striking, deconstructed image of a human face, expertly rendered in monochrome. The composition is dominated by a sense of distortion, as if the surface has been crumpled and then carefully flattened. This manipulation creates captivating shadows and highlights, inviting viewers to explore the intricacies of its texture. The eyes, intense and expressive, anchor the piece, offering depth and emotion that contrast with the abstract presentation. This unique approach challenges traditional perceptions of portraiture, blending realism with abstraction. The interplay between light and shadow amplifies the artwork’s dramatic impact, engaging viewers in a dialogue about beauty, identity, and perception. The innovative use of form and surface makes this piece an evocative example of contemporary art, pushing the boundaries of how facial imagery can be interpreted.
Preparation time: Three to four weeks