Dance du feu, 1997
Arman   Best sellers Master Artists

Sculpture : wood · 54 x 30 x 4 cm 21.3 x 11.8 x 1.6 inch

$7,615 7 615 $US

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Shipped from: France

Delivery to: United States , $ 321

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : numbered and limited to 100 copies

1 copy available

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Engraved signature

Technique & Support

wood with plexiglass pedestal

Dimensions ( cm • inch )

54 x 30 x 4 cm 21.3 x 11.8 x 1.6 inch Height x Width x Depth

Dimensions of pedestal:

2 x 25 x 12 cm 0.8 x 9.8 x 4.7 inch

Sold by

Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2022

Description
Proof, combustion of a soundboard and violin neck cut, violin back cut, wood included in polyester resin on a Plexiglas base, signed and numbered 82/100.
51.5 x 24 x 40cm.

Proof created in 1997 and published in 100 copies numbered from 1/100 to 100/100 plus 10 artists' proofs numbered from EA1/10 to EA10/10 and 10 non-commercial proofs numbered HC1 to HC10.
Edited by Guy Pieters Gallery, Belgium and manufactured by LMA SAR, Vence.

Bibliography:
- Arman-Multiples, catalog raisonné by Denyse Durand-Ruel and Marc Moreau, Fondation A.R.M.A.N, 2006, a similar copy is described and reproduced on pages 114&115 under the number 64, with the indication: Part of the edition with the burnt part on the right and the neck of the violin pointing to the right, part of the edition to the burnt part on the left with the neck pointing to the left. A copper tag embedded in the polyester bears the signature and numbering of the multiple.

Dimensions in cm: 54 X 30 X 4
Base 2 X 25 X 12

Archives Denyse Durand-Ruel 6855.
Catalog Raisonné of the multiples volume 1 Music No 64.
Work is sold with certificate of authenticity from Denyse Durand-Ruel and certificate from the gallery.

Music

Cello

Arman

France  • 1928  - 2005
1462 followers

Presentation

Arman, whose real name is Armand Pierre Fernandez, was born on November 17, 1928 in Nice. Son of an antiques dealer and art lover, he was introduced to art and music , which will greatly influence his career. At the age of ten, he began painting. He continued his studies at the École des Arts Décoratifs in Nice, where he met Yves Klein, then at the École du Louvre in Paris, specializing in archeology and Asian art.

In the early 1950s, Arman began his career as a painter , signing his first works with his full name before adopting the pseudonym Arman in homage to Van Gogh. In the 1950s, he gradually turned away from painting to explore other mediums. In 1960, he co-founded the New Realists movement with Yves Klein , César , Pierre Restany, and others, advocating the use of everyday objects in art.

In 1959, Arman created his first "accumulations", sculptures composed of numerous identical objects cast in plexiglas. These works highlight overconsumption and the ephemeral nature of products in a society of abundance. At the same time, he developed his "angers" and "combustions" from 1962, where he destroyed objects to reconstruct them in an artistic way, thus exploring destruction as much as accumulation.

Arman settled in  New York in 1961, where he had his first exhibition. Despite his installation in the United States, he continues to return regularly to Europe to exhibit his works. His monumental sculptures occupy public spaces in nearly a hundred cities around the world, such as "Long Term Parking" in France and "L'Heure de tous" in Paris. A retrospective of his work was organized at the Center Pompidou in 2010, among other major international exhibitions.

Arman became an American citizen in 1973. He received the Legion of Honor in 1989 and continued to influence the art world until his death on October 22, 2005 in New York. His work, which also includes engravings and lithographs , is present in the collections of many prestigious museums, such as the Metropolitan Museum of Art and the Center Pompidou. His works continue to inspire and provoke reflections on consumption and the status of objects in modern society.

In 2024-2025, his influence endures with exhibitions at the Musée d'Art Moderne in Strasbourg (Tribute to Cubism) and the Azzedine Alaïa Foundation.

His work continues to inspire, as evidenced by Arman Méliès' performance at the Théâtre des Abbesses in Paris in April 2025. His monumental sculptures and iconic creations, showcased at the Centre Pompidou, MoMA New York, and the Musée d'Art Contemporain in Nice, continue to break records at auctions at Sotheby's and Christie's.

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