Five to one, 2003
Sculpture : steel, clay · 180.3 x 121.9 x 25.4 cm 71 x 48 x 10 inch
€18,533
18 533 €
One of the last works available by this artist
Shipping & delivery
Shipped from: United States
Delivery to: Germany , € 1,390
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Dimensions ( cm • inch )
180.3 x 121.9 x 25.4 cm 71 x 48 x 10 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • United States
Credentials
Vetted seller since 2023
Description
Steel and clay pieces in 5 steel boxes.
Presentation
Born in 1953 in Germany, Madeleine Dietz studied at the School of Art in Mannheim and was particularly interested in books and in illustration. She is known for her installations and her unsettling performances and videos in very symbolic places such as churches or cemeteries.
She produced her 1st performance and video installation in 1986 and received the Daniel-Henry Kahnweiler Prize in 1992 on the occasion of her first light installation.
Then, Madeleine Dietz produced several works in churches such as the installation" ?So that, whoever enters sees the light" in the Lutheran Church of the Twelve Apostles in Frankenthal, Germany.
The work of Madeleine Dietz is marked by a profound tension between opposing concepts: protection and threat, rise and decline, life and death.
Subsequently, she was awarded various fellowships and worked in Paris, Florence, Houston, Barcelona.
In 2003, she was awarded the Ernst Baerlach Prize in Hamburg.
She produced her 1st performance and video installation in 1986 and received the Daniel-Henry Kahnweiler Prize in 1992 on the occasion of her first light installation.
Then, Madeleine Dietz produced several works in churches such as the installation" ?So that, whoever enters sees the light" in the Lutheran Church of the Twelve Apostles in Frankenthal, Germany.
The work of Madeleine Dietz is marked by a profound tension between opposing concepts: protection and threat, rise and decline, life and death.
Subsequently, she was awarded various fellowships and worked in Paris, Florence, Houston, Barcelona.
In 2003, she was awarded the Ernst Baerlach Prize in Hamburg.
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