La mémoire du monde (Memory of the World), 2024
Sculpture : wood, Textiles, cotton, assemblage · 165 x 57 x 12 cm 65 x 22.4 x 4.7 inch
€4,800
4 800 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 200
Estimated delivery: Four to five weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
wood , Textiles , cotton , assemblage , without pedestal
Dimensions ( cm • inch )
165 x 57 x 12 cm 65 x 22.4 x 4.7 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
79 x 55 cm (frame)
Wool and cotton threads, ribbons, nails, wood frame
Born in 1981 in Diébougou, Burkina Faso, Hyacinthe Ouattara is a self-taught plastic artist. After several experiences in workshops, he trained in drawing. He began to represent the human body in a dreamlike, ghostly and childlike way, before focusing his work on the anatomy of cellular tissues through « human maps ». Material, texture and colours are of great importance in his work. His way of painting is predominantly spontaneous and gestural, while his installations often play with the theme of the suspension between balance and imbalance. His twisted textile sculptures-inspired by organic forms-allow him to reflect on the concept of memory, whilst questioning the ambivalences between appearance and disappearance, and intimacy and identity. His works have been successfully exhibited worldwide, including at the 2022 Dakar Biennale (Senegal), the 2022 Kinshasa Biennale (Congo), and the upcoming Havana Biennale (Cuba).
Presentation
Born in 1981 in Burkina Faso, Hyacinthe Ouattara is a mainly self-taught plastic artist. Currently, he lives and works in France. His works have been seen in particular in Paris, Berlin, Dakar, Ouagadougou, Accra, Luxembourg, Kalgoorlie… Textiles allow him to question the ambivalence between appearance and disappearance, representation and intimacy, identity in the broad sense. Her sculptures in twisted and knotted textiles take up this obsession with the organic and work on the notion of link.
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