L'inconnue, 2024
Alain Mandon  

Sculpture : gold leaf, stainless steel, plexiglass, copper · 61 x 31 x 15 cm 24 x 12.2 x 5.9 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Engraved signature

Technique & Support

Dimensions ( cm • inch )

61 x 31 x 15 cm 24 x 12.2 x 5.9 inch Height x Width x Depth

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Description

This artwork is a remarkable sculpture, striking in its form and texture. It depicts a female human torso, beautifully rendered with a textured surface effect reminiscent of natural erosion, wonderfully merging the organic and the mineral. The sculpture's golden patina gives it a precious and timeless aura, capturing and reflecting light in a dazzling way. The contrast between the sensual curves of the body and the roughness of the texture creates a fascinating visual tension, inviting the viewer to contemplate the smallest details up close. The absence of a head and limbs accentuates the focus on the torso, a symbol of vitality and femininity, while leaving room for the viewer's personal interpretation. The transparent plexiglass support gives the piece a visual lightness and modernity that further highlights the sophistication of the sculpture. The juxtaposition of materials – the textured golden metal and the smooth, clear support – amplifies the visual impact and depth of the work. This sculpture embodies a bold exploration of human forms and textures, celebrating both the fragility and resilience of the human condition through a resolutely contemporary aesthetic. It is a true invitation to contemplation and reflection, strongly affirming the skill and unique vision of its creator.

Alain Mandon

France  • 1967
90 followers

Presentation

Alain Mandon presents himself as a self-taught artist. First a painter and then a sculptor, he created his first sculpture 5 years ago now, driven by his wife's breast cancer (ablation then breast reconstruction). Unable to accept himself in his new physique, he creates a first bust made from the molding of her body, wishing to show her her beauty in broad daylight. A first success both psychologically for his wife and artistically, which will consolidate him to realize other pieces with this technique.

Since then, he has devoted a large part of his work to the creation of sculpted busts representing fragments of almost essentially female bodies. Working from real models, he first makes a plaster cast and then uses it to shape his sculptures in the projection of molten tin.

Alain Mandon is particularly attracted by the raw aspect of materials such as pigments, sand, resin, concrete, but also metal in general and pewter in particular, which over time has become his favorite material. The artist will work with the material in such a way as to give them an uneven effect as if they had been eaten away by time, which gives an almost antique aspect to his sculptures, like relics that have survived the centuries.

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