Les 3 O, 2024
Sculpture : resin · 40 x 14.5 x 14.5 cm 15.7 x 5.7 x 5.7 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 169
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 8 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 14.5 x 14.5 cm 15.7 x 5.7 x 5.7 inch Height x Width x Depth
Dimensions of pedestal:
2.5 x 14 x 14.5 cm 1 x 5.5 x 5.7 inch
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating work features three resin figures standing on a wooden base. The figures are distinguished by their leaning postures and distinct anthropomorphic features, emphasizing an expression of mysterious contemplation. The distorted shapes of the heads, accentuated by stylized growths, add a surreal dimension to the ensemble. The smooth, glossy appearance of the material creates a contrast with the natural texture of the wooden base, symbolizing a duality between the modern and the archaic. The figures' slender, dynamic silhouettes capture the eye, evoking a silent choreography. This creation intrigues with its balance between realism and abstraction, and provokes reflection on identity and emotion.
Presentation
Claire Bonnet-Masimbert paints or sculpts contours evoking the sentient beings that we are. The body, stripped of its particularities, becomes original and becomes a receptacle.
The expression “take shape" finds its full meaning here.
What takes shape are the movements of the being, what animates it: its emotions. Those of the artist in the creative moment and those of the viewer who, prompted by this beginning, ends the story by projecting his own sensitivity.
Claire paints as she writes: each body is a word which meets another in a play of interlacing. The viewer can thus observe the dialogue that takes place between them. The narration appears. This pictorial writing makes the line no longer an element allowing the movement of a body to be represented, but punctuating a surface like punctuation. This results in a form of musicality.
The artist goes to encounter what she does not know or master. A danger which is characterized in particular by the offbeat use of certain supports or by the fragile, elusive handling of ink, a recurring fluid in his work. A posture which requires him to be in a spontaneous restitution of his state, a posture which is both challenging and driving.
The visual artist likes raw textures; whether in painting or sculpture. In addition to the breathing space offered by the passage from one medium to another, it above all allows him to find answers; the practice of one nourishing the practice of the other. This is why presented together, an exchange inevitably takes place.
In this pictorial exchange, Claire asks herself the question of the place of the Other and it is quite naturally that she turned towards proposals for collaboration, opening up a wider field of dialogue.
Reviews from our customers
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