Liberté, 2026
Painting : oil · 70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 88
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The brushstroke traces a body in motion, seized in an instinctive impulse. The male figure stretches, suspended between stability and fall. A black line, dense and assured, draws the contours of a simplified anatomy.
The background organizes itself in flat areas of muted colors. The olive green dialogues with warm ochres and touches of powdered pink. Vertical drips come to break the composition, adding a raw and spontaneous dimension to the visual narrative.
The balance rests on the contrast between the precision of the contour and the freedom of the colored patches. The gaze circulates freely, guided by the tension of the outstretched arm and the inclination of the bust. This pictorial approach favors the sensation of the gesture over descriptive rigor.
The whole exudes a calm, almost meditative energy, where the white void of the support actively participates in the light of the scene. The final rendering emphasizes a technical mastery in service of a direct expression. The work is composed of a superposition of pigment layers with varied textures.
Presentation
Claire Bonnet-Masimbert paints or sculpts contours evoking the sentient beings that we are. The body, stripped of its particularities, becomes original and becomes a receptacle.
The expression “take shape" finds its full meaning here.
What takes shape are the movements of the being, what animates it: its emotions. Those of the artist in the creative moment and those of the viewer who, prompted by this beginning, ends the story by projecting his own sensitivity.
Claire paints as she writes: each body is a word which meets another in a play of interlacing. The viewer can thus observe the dialogue that takes place between them. The narration appears. This pictorial writing makes the line no longer an element allowing the movement of a body to be represented, but punctuating a surface like punctuation. This results in a form of musicality.
The artist goes to encounter what she does not know or master. A danger which is characterized in particular by the offbeat use of certain supports or by the fragile, elusive handling of ink, a recurring fluid in his work. A posture which requires him to be in a spontaneous restitution of his state, a posture which is both challenging and driving.
The visual artist likes raw textures; whether in painting or sculpture. In addition to the breathing space offered by the passage from one medium to another, it above all allows him to find answers; the practice of one nourishing the practice of the other. This is why presented together, an exchange inevitably takes place.
In this pictorial exchange, Claire asks herself the question of the place of the Other and it is quite naturally that she turned towards proposals for collaboration, opening up a wider field of dialogue.
Reviews from our customers
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