Jendell - Space invaders paper mosaïque - Bleu sur fond blanc, 2026
Sculpture : paper, collage, mosaic, assemblage · 26.5 x 26.5 x 6 cm 10.4 x 10.4 x 2.4 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 41
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
paper , collage , mosaic , assemblage , without pedestal
Dimensions ( cm • inch )
26.5 x 26.5 x 6 cm 10.4 x 10.4 x 2.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
With "Jendell," EAZ brings down from the sky a creature of brilliant azure blue, luminous as a vitrified summer sky. The pixelated silhouette, one of the cult game's most emblematic invaders, stands at the center of the composition in a massive, frontal pose, as if suspended mid-invasion flight.
The craftsmanship is true to the artist's signature technique: each pixel is a paper tile, hand-cut, beveled, and lacquered. Here, the glossy varnish plays an essential role — the blue squares seem saturated with light, almost liquid, evoking glass drops or fragments of a screen frozen into matter. This bold, sunlit blue gives Jendell a joyful presence, more celestial than threatening: a visitor from a luminous elsewhere.
The background, a milky white, teems with an armada of invaders printed tone on tone, some lacquered with glossy highlights that only reveal themselves with the light and the angle of view. This phantom horde — now invisible, now shimmering — animates the surface with a quiet life of its own and multiplies the depth of the work, like a screen saturated with signals, only one of which has taken physical form.
Its name, a possible nod to the imaginary planet that Ace Frehley, Kiss's "Spaceman," claimed as his homeworld, places the work within a broader space mythology — that of pop icons fallen from the cosmos. Somewhere between pixel art, paper craftsmanship, and arcade culture, "Jendell" is a radiant, vibrant piece that celebrates the gentlest invasion of all: that of our childhood images into our present.
Presentation
Based in Strasbourg, EAZ has spent several years developing a singular practice at the crossroads of design, fine craftsmanship, and popular culture.
After many years creating and manufacturing for the worlds of toys, entertainment, interior design, music, and architecture, EAZ set out to reconnect with that part of his childhood.
Through a universe of his own making, nourished by pop culture, where the object becomes a pure medium of expression, he combines technical precision with a raw aesthetic to reinterpret the icons that shaped the collective imagination of an entire generation.
Heir to a deeply rooted DIY (Do It Yourself) culture, EAZ favors an experimental and independent approach. Whether miniatures, prototypes, or one-of-a-kind pieces, each creation bears witness to a constant dialogue between material and intention.
In the intimacy of his studio, he notably deconstructs the Lego minifigure, fusing it with the mythological figures of his childhood. These resin sculptures, entirely shaped by hand, transform the mass-produced toy into a sophisticated artistic artifact.
A multidisciplinary artist, EAZ launches a new creative cycle in 2026, one that returns to his origins: the art of Papercut. Through a masterful layering of colored papers, he transposes his usual three-dimensional works into flat, vibrant compositions. This demanding and delicate cutting technique offers a pared-down rereading of his favorite themes.
From the heroes of Japanese animation to the iconic pixels of the arcade — such as Space Invaders and Pac-Man — EAZ elevates memory into an object of contemplation.
"EAZ's style is defined by a constant tension between the nostalgia of childhood dreams and rigorous technical mastery." By transforming the playful object into a lasting work of art, he invites the viewer into an introspection that is both joyful and profound — a journey back to their own cultural foundations.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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