Perry - Space invaders paper mosaïque - Vert, 2026
EAZ  

Sculpture : paper, collage, mosaic, assemblage · 26.5 x 26.5 x 6 cm 10.4 x 10.4 x 2.4 inch

$700 700 $US
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Shipped from: France

Delivery to: United States , $ 105

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

26.5 x 26.5 x 6 cm 10.4 x 10.4 x 2.4 inch Height x Width x Depth

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Description

With "Perry," EAZ reverses the polarity of his series: for the first time, darkness invades the frame. Against this deep black background — the very same as the original arcade screens — emerges a creature of electric, almost phosphorescent turquoise that seems to radiate its own light. Horns raised and legs outstretched, Perry takes on the silhouette of the famous crab invader, frozen mid-offensive.

The artist's signature technique operates here with renewed intensity: each pixel is a paper tile cut, beveled, and mounted in relief by hand, its lacquered facets catching the light like flashes of lagoon against the backdrop of interstellar space. The contrast between the saturated turquoise and the absolute black recreates, with unsettling fidelity, the glow of the cathode-ray screens of old — as if the screen itself had solidified.

In the depths of the background, an armada of anthracite-gray invaders, printed tone on tone in the darkness, continues its barely perceptible descent. This horde lurking in the shadows lends the work an almost unsettling dimension: Perry is merely the visible scout of an invasion massing behind him, in the dark.

The nocturnal, magnetic piece of the series, "Perry" evokes arcade halls plunged into half-light, where only the screens glowed — a luminous tribute, in the most literal sense, to the golden age of the pixel, translated into the patient craftsmanship of paper.

Pop Art

Video games

Vintage

Sky blue

Green

EAZ

France

Presentation

Based in Strasbourg, EAZ has spent several years developing a singular practice at the crossroads of design, fine craftsmanship, and popular culture.

After many years creating and manufacturing for the worlds of toys, entertainment, interior design, music, and architecture, EAZ set out to reconnect with that part of his childhood.

Through a universe of his own making, nourished by pop culture, where the object becomes a pure medium of expression, he combines technical precision with a raw aesthetic to reinterpret the icons that shaped the collective imagination of an entire generation.

Heir to a deeply rooted DIY (Do It Yourself) culture, EAZ favors an experimental and independent approach. Whether miniatures, prototypes, or one-of-a-kind pieces, each creation bears witness to a constant dialogue between material and intention.

In the intimacy of his studio, he notably deconstructs the Lego minifigure, fusing it with the mythological figures of his childhood. These resin sculptures, entirely shaped by hand, transform the mass-produced toy into a sophisticated artistic artifact.

A multidisciplinary artist, EAZ launches a new creative cycle in 2026, one that returns to his origins: the art of Papercut. Through a masterful layering of colored papers, he transposes his usual three-dimensional works into flat, vibrant compositions. This demanding and delicate cutting technique offers a pared-down rereading of his favorite themes.

From the heroes of Japanese animation to the iconic pixels of the arcade — such as Space Invaders and Pac-Man — EAZ elevates memory into an object of contemplation.

"EAZ's style is defined by a constant tension between the nostalgia of childhood dreams and rigorous technical mastery." By transforming the playful object into a lasting work of art, he invites the viewer into an introspection that is both joyful and profound — a journey back to their own cultural foundations.

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