Divinité 9, 2024
Sculpture : wood · 37 x 10 x 6 cm 14.6 x 3.9 x 2.4 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 63
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
37 x 10 x 6 cm 14.6 x 3.9 x 2.4 inch Height x Width x Depth
Dimensions of pedestal:
6 x 10 x 7 cm 2.4 x 3.9 x 2.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This wood sculpture explores the boundary between raw art and primitive influences. The silhouette shoots up with a raw verticality. The body, a deep black, presents an organic and matte texture. A blue gradient appears subtly on the lower legs.
The face is stylized. Its simplified forms evoke ancestral masks. The artist plays on a striking contrast between the sobriety of the figure and its support.
The rectangular base breaks with the austerity of the character. It is dressed with colorful and fluorescent touches. These graphic references evoke the energy of early urban arts.
The whole creates a dialogue between tradition and modernity. The raw material of the wood anchors the piece in a tangible reality. This 2024 creation combines sculptural rigor and chromatic freedom. The base is composed of yellow, red, and blue pigments.
Presentation
Dasz Panda is a visual artist from Reunion Island. Born in Paris, he grew up in Reunion Island.
He lives and works in Reims.
He began his studies in Réunion in the Applied Arts department in 1995. He continued his higher education at the Perpignan School of Fine Arts (DNAP in 1998). In 2001 he obtained his DNSEP diploma, design option, at the ESAD in Reims.
Although he works on various media and with various techniques, drawing and sculpture of raw materials hold a privileged place in his work.
The visual culture of the 1970s and 1980s is particularly present in his work: on the one hand with references to scholarly culture, notably the artists of the Free Figuration movement, and on the other with references to the codes of the first urban arts. The very bold, sometimes fluorescent, hues recall the excesses of this time that was not afraid of color, before the austere 90s. His other source of inspiration comes from primitive arts, from all horizons. Indeed, if the cultures of Oceania are very represented, he also integrates popular European references into his creations.
His works, despite their dreamlike or fantastical or even whimsical aspect, give the sensation of a strong anchoring in materiality, in a thrilling and real life.
He has been working under the pseudonym Dasz Panda since the early 2010s.
Reviews from our customers
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