Divinité 10, 2016
Sculpture : wood · 100 x 14 x 14 cm 39.4 x 5.5 x 5.5 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 261
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 14 x 14 cm 39.4 x 5.5 x 5.5 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This wooden sculpture rises as a contemporary totem. The raw material is worked with precision. Geometric lines sculpt a stylized face. The gaze is fixed. The mouth is closed. Verticality dominates the composition.
A deep blue hue envelops the entire piece. This color saturates the material and emphasizes the reliefs. The influence of primitive arts and Oceanic cultures guides the artist's hand. The work recalls the codes of raw art through its voluntary simplicity and plastic force.
The structure alternates between smooth areas and marked incisions. The base merges into the mass. The object imposes its presence through a rigorous balance. The wooden surface retains an organic aspect despite the intense pigmentation. This 2024 creation explores the link between design and traditional sculpture. The silhouette ends with a solid and stable base.
Presentation
Dasz Panda is a visual artist from Reunion Island. Born in Paris, he grew up in Reunion Island.
He lives and works in Reims.
He began his studies in Réunion in the Applied Arts department in 1995. He continued his higher education at the Perpignan School of Fine Arts (DNAP in 1998). In 2001 he obtained his DNSEP diploma, design option, at the ESAD in Reims.
Although he works on various media and with various techniques, drawing and sculpture of raw materials hold a privileged place in his work.
The visual culture of the 1970s and 1980s is particularly present in his work: on the one hand with references to scholarly culture, notably the artists of the Free Figuration movement, and on the other with references to the codes of the first urban arts. The very bold, sometimes fluorescent, hues recall the excesses of this time that was not afraid of color, before the austere 90s. His other source of inspiration comes from primitive arts, from all horizons. Indeed, if the cultures of Oceania are very represented, he also integrates popular European references into his creations.
His works, despite their dreamlike or fantastical or even whimsical aspect, give the sensation of a strong anchoring in materiality, in a thrilling and real life.
He has been working under the pseudonym Dasz Panda since the early 2010s.
Reviews from our customers
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