Le champ des possibles, 2026
Julie Malbequi  

Sculpture : bronze · 32 x 28 x 13 cm 12.6 x 11 x 5.1 inch

$3,468 3 468 $US

One of the last works available by this artist

Shipping & delivery

Shipped from: France

Delivery to: United States , $ 185

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

Authenticity guaranteed

Sold with certificate of Authenticity from the gallery

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : numbered and limited to 8 copies

3 copies available

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

bronze , without pedestal

Dimensions ( cminch )

32 x 28 x 13 cm 12.6 x 11 x 5.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2024

Description

The elongation of the forms imposes an immediate silence. This filiform silhouette stretches downward in a posture of deep introspection. The body, almost spectral, seems fragile under the effect of an invisible gravity.

The bronze presents a rough grain. This surface work captures the light irregularly and emphasizes the tension of the character. Each fold, each unevenness accentuates the feeling of reflection.

The contrast is marked by the horizontal base. This dark and rigid base made of steel anchors the figure in a cold material reality. Five regular perforations come to rhythm this support, bringing a geometric dimension to the composition.

The precarious balance of the sculpture invites contemplation. The gaze is drawn to the curve of the neck and the abandonment of the arms along the body. This piece explores human vulnerability through a total formal stripping away. The whole rests on a rectangular plate of dark steel.

France  • 1974

Presentation

Born in 1974, Julie Malbequi lives and works in the Parisian region. A sculptor and psychologist, she develops a practice nourished by a shared curiosity for the human being.

Her elongated characters, with imperfect, sometimes damaged bodies, allow us to see our fragilities without seeking to repair or conceal them. They invite us to look upon them with a softer gaze.

Long in the heart of her work, plaster today dialogues with bronze, metal, or concrete. Accidents, roughness, and irregularities of material participate in her sculptural language where strength and vulnerability coexist.

Today, her work opens up to public space and participatory projects. Sculpture thus becomes a way to meet places and those who inhabit them.


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