El mapa de Miranda y la disciplina de Nietzsche, 1996
Joseph Kosuth   Master Artists

Sculpture : stone · 50 x 70 x 2 cm 19.7 x 27.6 x 0.8 inch

CHF 4,621 4 621 CHF

One of the last works available by this artist

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Shipped from: Spain

Delivery to: Switzerland , CHF 58

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About the artwork

Type

Sculpture : numbered and limited to 81 copies

48 copies available

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

stone , without pedestal

Dimensions ( cm • inch )

50 x 70 x 2 cm 19.7 x 27.6 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Engraving on fossil stone by Joseph Kosuth (Toledo, Ohio, 1945), 2004, from an edition of 81. A founder of Conceptual Art and author of the canonical "One and Three Chairs" (1965), Kosuth has built a fifty-year practice on language: definitions, quotations and philosophical fragments presented as the work itself rather than as a description of it. Here passages of Spanish text are incised over the fossilized shells embedded in a slab of Mesozoic limestone, so that two incompatible time scales — geological duration and the history of ideas — are forced to share one surface. The title's pairing of a map with a discipline is characteristic of his taste for categories that refuse to align. Because of the nature of the support, each copy differs and the photographs are indicative only. Dimensions: 50 x 70 x 2 cm. A conceptually rigorous piece by a genuinely historic artist.

Abstract

Abstract art

Grey

Joseph Kosuth

United States  • 1945

Presentation

Joseph Kosuth (born January 31, 1945), is an American conceptual artist. He lives in New York and London, after residing in various cities in Europe, including Ghent, Rome and Berlin.

Born in Toledo, Ohio. Studied at the Toledo Museum School of Design and with the Belgian painter Line Bloom Draper 1955-62, then at the Cleveland Art Institute 1963-4. Moved in 1964 to New York and studied 1965-7 at the School of Visual Arts; afterwards joined the faculty.

In 1965 began making word pieces in neon and his first Conceptual works (such as T01909) consisting of an object, a photograph of it and dictionary definitions of the words denoting it. These were followed by a series of 'investigations' comprising propositions on/about/of 'art' with the subtitle 'Art as Idea as Idea', including definitions from a dictionary or categories from the Thesaurus presented in the form of photostats or published in space purchased in newspapers.

Co-founder in 1967 of an exhibition area in New York known as the Museum of Normal Art, and had his first one-man exhibition there the same year. Became in 1969 a member of the Editorial Board of the Art and Language Press, England, and American editor of the journal Art-Language. From 1971 studied anthropology and philosophy at the New School for Social Research, New York, and travelled throughout the world. Lives in New York.

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