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Untitled (Diana), 2016
Miguel Branco   Master Artists

Sculpture : bronze, metal, brass · 25 x 36 x 10.5 cm 9.8 x 14.2 x 4.1 inch

€6,000 6 000 €
Delivered in time for Christmas

One of the last works available by this artist

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Shipped from: France

Delivery to: Germany , € 78

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : numbered and limited to 30 copies

2 copies available

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

bronze , metal , brass , without pedestal

Dimensions ( cm • inch )

25 x 36 x 10.5 cm 9.8 x 14.2 x 4.1 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2017

Description
Edition of 30, created in collaboration with the Museum of Hunting and Nature in Paris on the occasion of the artist's major solo show in 2016/17, entitled "Resonances, Abductions, Interferences".

The courtyard of the Musée de la Chasse et de la Nature hosts a bronze deer, sitting on the pavement, both alert and silent. It is the work of artist Miguel Branco, born in Portugal in 1963. For more than 30 years, through the various media of painting, drawing, sculpture, and digital images, his works has focused on animals as its main subject. His figures are silent and mysterious, as if they had been detached from nature to be seen in a different light.

Animal

Wild animals

Antelope

Deer

Statue

Miguel Branco

Portugal  • 1963

Presentation

Miguel Branco studies at the Faculty of Fine Arts in Lisbon and since 1994 has directed the Painting Department of the Center for Art and Visual Communication in Lisbon, Ar.Co. Whether through his paintings or his sculptures, Miguel Branco has always worked from images drawn from the history of art. The artist strives to bring together varied geographical and temporal spaces in each of his works. With infinite knowledge and distance, he hypertrophies his painting in order to make us see again the greatness of his masters (Watteau, Chardin, Fragonard, Goya, Velázquez, Bellini, Stubbs, Hogarth, Teniers...) just as he takes us on a journey , in his sculptures, at the heart of civilizations or countries such as Egypt or India, thus creating a dramaturgy where the sensation of the work is to reincarnate an essence that is both present and absent, an invisible that goes beyond us , and yet, a process intrinsic to the work itself. Whether animal, humanoid, object, place, skull, scribe or even butterfly, his work is characterized by the constant presence of a scenic device. His work is focused on metamorphosis and strangeness as much as on the image and the mechanisms it provokes. In 2016, the gallery presents its second solo exhibition entitled "SPECTRES -- On Birds, Skulls and Drones", conceived in dialogue with the exhibition "Black Deer -- Resonances, Abductions, Interferences" at the Musée de la Chasse et de la Nature in Paris. In 2022, the artist was honored by the Festival of Art History at the Château de Fontainebleau as part of the 2022 France-Portugal Season. Also in 2022, the artist is presented at Mudam Luxembourg -- Musée d'Art Moderne Grand-Duc Jean, within the exhibition Face-à-Face. In 2023, it is shown in 2023 at the SNBA Lisbon in the exhibition Uma Terna (e Política) Contemplação do que long live (Coleção Norlinda e José Lima); the exhibition entitled Terra -- ou os quarenta nove degraus is dedicated to him at the Carmona e Costa Foundation and he is presented at the Museum of Contemporary Art in Lisbon, within the exhibition I II III IV V -- five decades of ar.co.

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