L'audacieuse, 2020
Sculpture : Sandstone · 50 x 29 x 28 cm 19.7 x 11.4 x 11 inch
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Sandstone , without pedestal
Dimensions ( cm • inch )
50 x 29 x 28 cm 19.7 x 11.4 x 11 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
The audacious is part of a trilogy "the charmer," "the delicate" and "the audacious." All three were made from the same model but in different postures. The theme of this trilogy is "sublimate women's bellies."
Why this theme? Simply because this part of the body is often the object of criticism suffered by women. The belly should be flat especially as summer approaches. It is these dictates imposed by our current civilized societies...
Our belly is: a universal symbol, an organ working for our well-being, a source of taste pleasures, but also the witness of a life, ours, and events that may have marked it (pregnancy, childbirth, menopause). We must take care of it and make peace with it to make peace with our whole body. It remains the great absent from the fashion and beauty pages and red carpets, but a bouncing belly can be pretty, erotic, feminine, and if it's ours, then it's all the more time to learn to love it!
Why this theme? Simply because this part of the body is often the object of criticism suffered by women. The belly should be flat especially as summer approaches. It is these dictates imposed by our current civilized societies...
Our belly is: a universal symbol, an organ working for our well-being, a source of taste pleasures, but also the witness of a life, ours, and events that may have marked it (pregnancy, childbirth, menopause). We must take care of it and make peace with it to make peace with our whole body. It remains the great absent from the fashion and beauty pages and red carpets, but a bouncing belly can be pretty, erotic, feminine, and if it's ours, then it's all the more time to learn to love it!
Presentation
Is material reality a perpetual movement of construction and destruction?
Reflecting the creative energy of the feminine in this moving world, the nudes produced by modeling by the artist Sylvie Bourély highlight posture. In his work, it is a question of revealing the geometry of the universe at the origin of the perpetual movement of material existence.
More than a simple physical posture, this is about the internal positioning that we each take when facing the world. The artist's sculptures bring us back to the question of our true place in the universe.
Feminine energy is part of the creative process. She destroys and rebuilds a new life within her, eternally and perpetually. The postural geometry of Sylvie Bourély's sculptures expresses the tension that oscillates between dynamism and restraint. It reflects the coming and going between exteriority and interiority, construction and deconstruction of matter.
Could the world we know stand up without its feminine aspect?
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