Bronze Sculpture for Sale
Nice 1990 (Ed. 2019), 2019
Sculpture : metal · 16 x 13 x 3 cm 6.3 x 5.1 x 1.2 inch
€400
400 €
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Shipped from: France
Delivery to: France , € 21
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About the artwork
Type
Sculpture : numbered and limited to 500 copies
3 copies available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
metal
Dimensions ( cm • inch )
16 x 13 x 3 cm 6.3 x 5.1 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Edition "ART FOR ALL" by Galerie Loft
1990-Éd.2020.
Painted cast metal,
H.16 x L.13 x P.3 cm, 550 grams,
Edition of 500 copies,
Signed and numbered,
Dim. of the box : 22.5 x 16 x 5 cm,
Certificate of authenticity included.
--
The Work : NICE
In the 1980’s, after meeting with Michel Roudillon, Claude Gilli starts working on steel sculptures. He progressively abandons woodworking to follow the path of cutting and welding steel. Many new perspectives open up to him, one of them is the possibility to conquer the outdoors by making monumental sculptures. His cuttings, incredible three dimensional landscapes in layers and painted in blue, green, yellow and pink are an explosion of colours and materials recalling the pop tendency of the “Nouveaux Réalistes” and a composition in the same vein as Wesselmann. He may figure feminine nudes, bottles or layered Mediterranean landscapes, they all remind us of Nice, the blue sky of the Riviera, that will always be tied to Claude Gilli’s work.
--
About the Artist
Claude Gilli is a major figure of the “École de Nice” (School of Nice) that had a considerable impact on French pop art. Born in Nice in 1938, he enters the School of applied arts of his hometown in 1955. In 1962, on New Year’s Eve, he burns most of his early works. Close to the artists Albert Chubac, Martial Raysse, Ben, but also Arman, César, Farhi and Venet it’s his encounter with Robert Malaval that will lead to different works that they made in common around “aliment blanc”. Having obtained the Lefranc prize in 1966, he is shown at the exhibition “12 super realists” at the Del Leone gallery, Venice, where he discovers the works of American “pop” artists, Lichtenstein, Warhol, Wesselmann. In 1968 he starts working with Plexiglas and then continues with a series of paintings “aux escargots” (with snails). In the 1970’s he moves to Paris and is also shown in numerous international exhibitions, one of them was dedicated to the school of Nice a the Pompidou Center, Paris. The degenerative disorder he was subject to finally caught up with him and obliges him to be in a wheelchair. He starts working tirelessly and develops works in cut iron, notably for outdoor pieces and monumental sculptures.
1990-Éd.2020.
Painted cast metal,
H.16 x L.13 x P.3 cm, 550 grams,
Edition of 500 copies,
Signed and numbered,
Dim. of the box : 22.5 x 16 x 5 cm,
Certificate of authenticity included.
--
The Work : NICE
In the 1980’s, after meeting with Michel Roudillon, Claude Gilli starts working on steel sculptures. He progressively abandons woodworking to follow the path of cutting and welding steel. Many new perspectives open up to him, one of them is the possibility to conquer the outdoors by making monumental sculptures. His cuttings, incredible three dimensional landscapes in layers and painted in blue, green, yellow and pink are an explosion of colours and materials recalling the pop tendency of the “Nouveaux Réalistes” and a composition in the same vein as Wesselmann. He may figure feminine nudes, bottles or layered Mediterranean landscapes, they all remind us of Nice, the blue sky of the Riviera, that will always be tied to Claude Gilli’s work.
--
About the Artist
Claude Gilli is a major figure of the “École de Nice” (School of Nice) that had a considerable impact on French pop art. Born in Nice in 1938, he enters the School of applied arts of his hometown in 1955. In 1962, on New Year’s Eve, he burns most of his early works. Close to the artists Albert Chubac, Martial Raysse, Ben, but also Arman, César, Farhi and Venet it’s his encounter with Robert Malaval that will lead to different works that they made in common around “aliment blanc”. Having obtained the Lefranc prize in 1966, he is shown at the exhibition “12 super realists” at the Del Leone gallery, Venice, where he discovers the works of American “pop” artists, Lichtenstein, Warhol, Wesselmann. In 1968 he starts working with Plexiglas and then continues with a series of paintings “aux escargots” (with snails). In the 1970’s he moves to Paris and is also shown in numerous international exhibitions, one of them was dedicated to the school of Nice a the Pompidou Center, Paris. The degenerative disorder he was subject to finally caught up with him and obliges him to be in a wheelchair. He starts working tirelessly and develops works in cut iron, notably for outdoor pieces and monumental sculptures.
Presentation
One of the prominent exponents of the Ecole de Nice and considered to be the only real French pop artist along with Martial Raysse. He was born in Nice on September 15, 1938. He attended the school of decorative arts in the city, where he met the same Raysse. In 1958 with the latter and Albert Chubac, he was part of a collective exhibition the "Laboratoire 32", at the gallery of Ben Vautier.
In the 1960s, Gilli collaborated with the creation of the Nouveau Réalisme movement as one of the most active exponents. In recent years, he has developed the first set of relief panels, made of carved wood (with the blessing of Arman, giving him an electric saw) and dominated by blue color.
His dedication to art is such that in the New Year's Eve of 1962, he burned almost everything he had produced so far. In the following years, even under the influence of American Pop Art, his subjects abandoned the frame, with the first "collate”, a middleway between sculpture and painting. His constant search will lead him to experiment at first with the abandonment of color, with "phantom" plates made of transparent plexiglass, and finally the use of snail shells for the creation of sculptures.
He died in June 2015: his work is set to become a variegated artistic work, emerges from the figure of an artist who, in the historical context of Nouveau Réalisme and Pop Art, maintains his authenticity in Nice.
In the 1960s, Gilli collaborated with the creation of the Nouveau Réalisme movement as one of the most active exponents. In recent years, he has developed the first set of relief panels, made of carved wood (with the blessing of Arman, giving him an electric saw) and dominated by blue color.
His dedication to art is such that in the New Year's Eve of 1962, he burned almost everything he had produced so far. In the following years, even under the influence of American Pop Art, his subjects abandoned the frame, with the first "collate”, a middleway between sculpture and painting. His constant search will lead him to experiment at first with the abandonment of color, with "phantom" plates made of transparent plexiglass, and finally the use of snail shells for the creation of sculptures.
He died in June 2015: his work is set to become a variegated artistic work, emerges from the figure of an artist who, in the historical context of Nouveau Réalisme and Pop Art, maintains his authenticity in Nice.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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