White-Eyed Cherry Blossoms | Japanese Sumi-e Bird Artwork, 2026
Umesei  

Fine Art Drawings : pigment ink · 25 x 20 x 0.1 cm 9.8 x 7.9 x 0 inch · Ready to hang

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

25 x 20 x 0.1 cm 9.8 x 7.9 x 0 inch Height x Width x Depth

Artwork dimensions including frame

28.5 x 23.5 x 1 cm 11.2 x 9.3 x 0.4 inch

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Credentials

Vetted seller since 2024 • Top Seller

Description

Tender cherry blossom artwork with two white-eye birds. This framed artwork on Thai gilded paper is created with ink and Chinese mineral pigments in the spirit of Japanese Sumi-e. The composition shows two white-eye songbirds, known as mejiro, resting among blooming sakura branches. Pink cherry blossoms, soft turquoise-blue feathers, yellow-green bird heads, plum leaves, black ink branches, red seal impressions, and vertical calligraphy create a graceful “flowers and birds" scene full of spring emotion.

The artwork carries rich symbolism. White-eye birds are associated with spring, sunlight, tenderness, warmth, and devotion, while cherry blossoms represent sincere feelings, love, and the fragile beauty of life. The idea of Ichigo-Ichie — that every meeting is precious and unrepeatable — gives the work a gentle philosophical depth. It is ideal for a modern interior, bedroom, reading corner, tea room, meditation space, or Asian-inspired decor. It also makes a beautiful gift for weddings, anniversaries, housewarmings, or anyone who loves symbolic floral and bird artwork.

Floral

Animal

Botany

Cherry

Birds

Spring

Sky blue

Pink

Umesei, White-Eyed Cherry Blossoms | Japanese Sumi-e Bird Artwork

Umesei

United States  • 1987

Presentation

UMESEI is a contemporary artist and master of traditional East Asian painting, based on Sakhalin Island, Russia—a geographic and cultural crossroads between East and West. Working under the artistic name UMESEI, meaning “Plum from the West" in Japanese, the artist bridges Eastern philosophy with a Western sensibility, creating works rooted in authenticity, symbolism, and contemplative depth.

Trained personally by Great Masters in China and Japan, UMESEI holds official master names in multiple traditions: in Japanese Sumi-e painting as Umesei, and in Chinese Xie Yi and Gongbi painting as “Dancing Crane." Following formal apprenticeships in China, the artist received a master's stone seal for Chinese landscape scroll painting and holds the right to sign Sumi-e works with a personal carved seal—an honor reserved for recognized masters.

UMESEI works exclusively with traditional materials and techniques, including ink, mineral pigments, rice paper, and scroll formats. Each work follows the strict compositional laws of Eastern painting, where every line, pause, and brushstroke carries philosophical meaning. The visual language is minimal yet profound, balancing discipline and intuition, silence and movement.

The artist's practice explores themes of nature, impermanence, inner harmony, and symbolic self-recognition. Cranes, blossoms, mountains, and seasonal motifs act as emotional and cultural markers, inviting viewers into a meditative dialogue with themselves. UMESEI's works do not illustrate reality—they reveal states of being.

In addition to painting, the artist is a certified art educator, collector of ancient Japanese and Chinese prints, master of the Sogetsu school of Ikebana (4th degree), and a poet of Japanese hokku and Chinese landscape poetry. UMESEI has held solo exhibitions in museums, cultural institutions, and diplomatic venues, including the Japanese Consulate, and has participated in major international exhibitions across Asia, Europe, and the Americas.

Works by UMESEI are held in private collections and institutional holdings worldwide, including Japan, China, Europe, and major international cultural foundations.

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