Figures-Défigures, 2025
Herve Malcom Thomas  

Painting : oil · 120 x 100 x 5 cm 47.2 x 39.4 x 2 inch · Ready to hang

€1,800 1 800 €

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Shipping & delivery

Shipped from: France

Delivery to: France , € 107

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

oil on canvas

Dimensions ( cminch )

120 x 100 x 5 cm 47.2 x 39.4 x 2 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description

This captivating work presents a whirlwind of dynamic, abstract forms where blue, brown, and white hues intertwine with masterful skill. The artist employs energetic brushstrokes to create a complex and intriguing composition, captivating the eye with its movement and depth. Geometric and organic shapes appear to merge and emerge from one another, evoking a chaotic yet harmonious dance. The juxtaposition of cool and warm colors establishes a fascinating visual tension. The use of fluid lines and fragmented forms suggests a world in constant transformation. This work is distinguished by its ability to evoke visceral emotions while simultaneously inviting contemplation. It demonstrates a perfect symbiosis between chaos and structure, characteristic of abstract art, and encourages the viewer to explore the interplay between color and form.

Art brut

Semi-abstract

orange

Dark blue

Herve Malcom Thomas, Figures-Défigures
France  • 1962

Presentation

“I have been painting continuously since leaving the Ecole des Beaux-Arts in Metz in 1987.

Not being able to consider my work as a painter as being really “abstract" any more than “figurative", the idea of this oxymoron “Inabstrait ©" allowed me to define more precisely, and without Manichaeism, my painting.

“Inabstrait ©" would therefore consist in evolving freely between these two worlds, without being constrained to anything, or rather by admitting all the ways useful to the realization of a painting which would be resolutely a “drift", in the sense of the freedom of pictorial expression; thus erasing, adding, finally deciding what is good to let appear ".

Reviews from our customers

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