Bronze Sculpture for Sale
Origami in Green,
1990
Daniel Buren
Print : Screen Print
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch
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About the artwork
Type
Numbered and limited to 200 copies
Signature
Stamped
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth
Support
Framing
Frame with plexiglass
Artwork dimensions including frame
74 x 54 x 3 cm 29.1 x 21.3 x 1.2 inch
Tags
Artwork sold in perfect condition, framed, ready to hang
Artwork location: Switzerland
This silkscreen by Daniel Buren is a clear and characteristic example of his conceptual practice, centered on the use of geometric form, repetition, and spatial intervention.
As customary for the artist, the work is not signed. Instead, it is numbered and stamped on the reverse with the official Daniel Buren stamp. Both the number and stamp are visible through a Plexiglas window on the back, providing clear authentication.
Worldwide shipping is available, with tax-friendly options for the USA and EU countries. Custom handmade framing can be arranged upon request. Each work is accompanied by a certificate of authenticity.
The work is presented unfolded, with visible folds that are inherent to its original mode of publication and distribution, fully consistent with Buren’s conceptual approach.
The composition is built from bold green geometric shapes set against a white ground, creating a dynamic balance between positive and negative space. The elements appear to interact architecturally, echoing Buren’s long-standing interest in how artworks relate to their physical and visual environment.
Daniel Buren, born in 1938, is internationally known for redefining the relationship between art, space, and context. His works are held in major museum collections worldwide and his visual language remains instantly recognizable. This print represents a strong and authentic example of his practice from the late twentieth century, appealing to collectors of conceptual and minimalist art.
Work is professionally framed in our own frame-shop, in a bespoke, handcrafted wooden frame with UltraVueUV70, scratch-resistant and high UV-protected. Size framed approx. 74 x 54 cm.
Collector’s Guide
Presentation
Born in 1938 in Boulogne Billancourt in France, Daniel Buren is a painter, sculptor and visual artist. He is one of the most renowned artists on the international art scene. After studying art at the Ecole des métiers d'arts, he first turned towards painting, studying interactions between paint and supports. He created the concept which he called the work 'in situ': the context of the artwork becomes an essential element to his compositions. The latter thus transforms a place and alters its function. His signature? Different coloured stripes, 8.7cm wide.
The artist discovered a striped fabric formed of equal lines, which would become his favourite support from the 1960's onwards. With the other artists Olivier Mosset, Michel Parmentier and Niele Toroni, he founded the BMPT group, which aimed to offer a critical view of painting and to reduce it to its lowest level. They worked on repetition and sought to emphasise the importance of the place in which the work is created and situated. Painting becomes a means and not an end; it must interact with exhibition spaces that are an integral part of the work. The group subsequently separated and Buren became an independent artist again. Despite his numerous criticisms of traditional cultural institutions, preferring to exhibit in the streets, he has returned to the traditional system (of museums, salons...). Nevertheless, once his installations are completed, the artist generally destroys his works. His compositions in situ are designed to challenge. They play with colours, shapes, movement and the environment… and have a decorative function. The artist's “Hommes Sandwiches" (Sandwich Men) who wandered through the streets of Paris with signs covered with striped paper, perfectly illustrate the concept of in situ work.
Daniel Buren is an artist of indisputable renown, and has left his mark upon many cities. Indeed, in 1986, in the main courtyard of the Palais Royal in Paris, he created an installation that has now become an unmissable attraction. At the Guggenheim Museum in New York, he made a work for the museum space. In 2012, he was the artist in residence of and created an installation for the nave of the Grand Palais for Monumenta. Recently, he exhibited at the Museo d'Arte Contemporanea Donnaregina (MADRE) in Naples.
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