The Scream, 1961
Print : lithography · 55 x 40 x 1 cm 21.7 x 15.7 x 0.4 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 90 copies
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
55 x 40 x 1 cm 21.7 x 15.7 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
70 x 55 x 2 cm 27.6 x 21.7 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
This original lithograph from 1961 by Asger Jorn represents a strong example of his expressive and spontaneous visual language.
The lithograph is signed and dated in pencil lower right and numbered in pencil lower left, confirming the limited edition.
The composition features a loosely constructed, almost primitive face, rendered in bold, gestural black lines. The raw linework, distorted forms, and direct execution are characteristic of Jorn's practice, where emotion, movement, and spontaneity take center stage. The image balances between figuration and abstraction, creating a powerful psychological and visual impact.
The work is professionally presented in a beautiful vintage gold and black frame, enhancing its presence and aesthetic appeal.
Authenticity and provenance guaranteed.
Delivered with a certificate of authenticity.
Worldwide shipping, tax-friendly to the USA and other countries.
Custom handmade framing available on request.
Presentation
Asger Jorn, born Asger Oluf Jørgensen on March 3, 1914 in Vejrum in Central Jutland and died on May 1, 1973 in Aarhus, is a Danish painter. He was one of the founders of the CoBrA movement and of the Situationist International. In 1936, Asger Jorn arrived in Paris to join the Contemporary Academy of Fernand Léger. There he meets the French Pierre Wemaëre with whom he binds a deep friendship.
During the Nazi occupation of Denmark, Jorn was an active communist in the resistance and participated in the artistic group Høst. He was one of the founders of the CoBrA movement in 1948. The same year he joined the Dutch artist group Experimentele Groep in Holland founded by Karel Appel, Constant Nieuwenhuys, Corneille, Theo Wolvecamp, Anton Rooskens Jan Nieuwenhuys and many Dutch artists.
He merged the International Movement for an Imaginist Bauhaus, which he had founded in 1955, the Lettrist International and the London Psychogeographical Committee, into a single unified movement: the Situationist International in 1957.
In 1961, he left the SI to found the Scandinavian Institute of Comparative Vandalism (see La Langue verte et la Cuite, with Noël Arnaud, which earned him the title of Commander Exquis of the Order of the Great Gidouille).
Reviews from our customers
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