Miki Wanibuchi Touch the boundary, North, 2015

Name: Touch the boundary, North
Brand: Artsper
SKU: 468256
Price: 2450 EUR
Availability: InStock

View in a room Painting 35.8 x 35.8 x 1.8 inch Unique artwork

$2,832

Free delivery for United States Delivery : One to two weeks Add to my favourites Unique artwork 7 people are looking at this artwork

View in a room

Description

Offered by the gallery

galerie bruno massa
Paris - France
Authenticity

Work sold with an invoice from the gallery
and a certificate of authenticity
Signature

Hand-signed by artist
Medium

Painting : acrylic
Themes

Abstract
Support

Painting on canvas on stretcher
Type

Unique work
Dimensions cm | inch

91 x 91 x 4.5 cm 35.8 x 35.8 x 1.8 inch
Framing

Not framed
Collector’s Guide

Delivery

Artsper's galleries deliver artworks worldwide and using specialised carriers.

The artwork can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.

Find out more about delivery

Payment

You can pay by credit and debit card, PayPal or bank transfer only in euros. We take fraud very seriously and respect your confidential information, which is why all payments are subject to 3D Secure validation.

Find out more about payment

Guarantee

Artsper's pledge of quality: We only work with professional galleries and guarantee the authenticity and provenance of our artworks.

Find out more about Artsper guarantee

Contact our experts

Any question about the artwork, the artist or the delivery?

* Mandatory fields

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Miki Wanibuchi

Born in: 1981

Japan

Emergent Artist

Miki Wanibuchi lives and works in Osaka, Japan.

In 2012 he got an MA from the Arts University Bournemouth, UK; in 2004 he got his BFA from the Kindai University, Japan. He was awarded the 27th Holbein Scholarship (2012-2013). Qualification in 2005: Second Grade in Colour Coordination. By All Japan Fashion Teachers Inc.

Miki Wanibuchi is a fine artist who pursues boundary lines. These boundary lines act like separative surfaces which distinguish themselves between one and the outside world, the inner and outer side of ourselves. It is an important aspect for her to depict it and to define herself and the world. She believes, as a result, it would serve as a trigger to truly know others when we realise the boundaries that could exist.

The white surface is supposed to be the boundary which separates the viewer and the other side of the surface plane. It could act like separative surface which distinguishes itself between one and the outside world, the inner and outer side of ourselves. What they would see beyond it should be an accumulation of experiences, common knowledge and understanding, and the imagination acting on it. What the artist actually wants to communicate may not always be conveyed to the viewer. However, my art work allows each viewer to see it differently. Thus we need to understand the differences of people’s individual thoughts.

We cannot help but be aware of individual differences which can act as a barrier when we try to understand others and the world. Because when we meet people and have individual experiences, we all might bring to this encounter our own biases, and one cannot take “common sense” for granted, because this could depend on one’s individual environment and experiences.

When we realise this, however, She believes, as a result, it would serve as a trigger to truly know others and the way they perceive things, to understand the world and to lead us know more about ourselves as well. We enjoy enormous amounts of internet information through a touch screen these days. It sometimes makes me feel frightened of the attitude that we easily think as if we know the entire world. People seem to perceive this flood of information, which can be true or false, as a stimulus without thinking, but is it such a really easy thing to “know”?

In her recent works, people may feel that they cannot find any detailed explanations in a painting, mostly covered with white, with the exception of a subtle hint of colour and texture, which emerges from the opening, underneath or edges of the canvas. The white surface represents that images and emotions of the artist are abandoned, because I have an intention to make the viewer perceive the physical aspect of paint and canvas. The subject matter is to allow the viewer to look closer at what’s in between the canvas as an object and the image the artist would like to communicate. Boundaries could exist there, and I would like the viewer to pay attention to it where the artist’s evidence is hidden. And, as a result, I would like the viewer to hone their thinking and imagination confronting this vagueness.

Our senses would have been dulled these days, however, I believe silence in the painting leaves the viewer to pursue the meaning of the painting, their own aesthetic sense, and the world of themselves. And I feel we will find a power to gently heal the world when we pursue it.