The Perfect Place (L’endroit parfait)
— par Mengya Zhuang, Super Cosmic, 2026
We are all searching for the perfect place.
It takes the shape of a memory, a holiday photograph, a promise of happiness.
But when we reach it, it slips away.
This is the tipping point that the exhibition explores.
Those moments when the boundary fades,
when we no longer know whether what we see is truly there,
or whether we ourselves have suddenly drifted elsewhere.
The works gathered in this exhibition inhabit that boundary,
somewhere in the middle of the imaginary, or nowhere at all.
They show roadside motels, silhouettes on the sand,
groups gathered in front of buildings or on hillsides.
Scenes that could be real.
Perhaps the perfect place exists only like this:
in this suspension between the real and the imaginary, between memory and desire.
We do not reach it — we pass through it.
It envelops us like a dream,
for the time it takes to no longer know whether we are awake or dreaming.
And this uncertainty is precisely what we came to find.
Belief, in these images, is not a promise of elsewhere.
It is this light disposition that allows us to welcome the strangeness of the real without trying to dispel it.
To remain in the question, rather than demanding an answer.
To trust the place even when it eludes us —
because perhaps it is precisely in its elusiveness that it is most perfect.
The Perfect Place brings together these suspended moments.
Not images of a dream, but images we could enter as one enters a dream:
without knowing exactly how we came to be there, nor how we will leave.
In the space of a gaze, might we feel as though we are finally living exactly where we had always dreamed of being?
Read more