Martta Garcia

The look as power and the work of art as a possibility to show it, to question our way of seeing, to question our ways of reacting to the world. In her artistic process Marta tries to create images that ask to be examined.

In a world as visual as today, a world to "See and be seen", she wants to reflect on what she sees and what she does not see, what we believe she sees sand what she really sees. Most of the time it is not our eyes that see if it is not our mind. Martta proposes to the viewer the task of educating the look.

She walks the cities, she takes photographs that are then used to develop her work, an important part of it is based on the framing of the work, on the description of all his characters, on the stories they tell us ... The zebra crossing, they allow her to delimit those characters and make the invisible visible. She dives into the crowd, a crowd that attracts her, paralyzes her, moves her, surprises her, drags her, agitates her ...

Paints which provokes her: People ... their gestures, their looks, their steps, their silences, their fears, their thoughts ... their interior and exterior.

Alone or in a crowd