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Arcane XIV- La Tempérance
Richard Laillier
Fine Art Drawings - 30 x 20 x 0.5 cm Fine Art Drawings - 11.8 x 7.9 x 0.2 inch
$1,116
L'Enfer me ment. Hitodama (64)
Richard Laillier
Fine Art Drawings - 15 x 13 x 1 cm Fine Art Drawings - 5.9 x 5.1 x 0.4 inch
$670
Diane Kruger III
Bruno Fournier
Photography - 46 x 30 x 1 cm Photography - 18.1 x 11.8 x 0.4 inch
$1,674
Paris confinement Sacré Cœur
Bruno Fournier
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
$1,060
Paris confinement Pont Neuf
Bruno Fournier
Photography - 30 x 40 x 1 cm Photography - 11.8 x 15.7 x 0.4 inch
$1,060
Template Reboot 10
Bruno Fournier
Photography - 37 x 37 x 1 cm Photography - 14.6 x 14.6 x 0.4 inch
$2,009
Diane Kruger II
Bruno Fournier
Photography - 46 x 30 x 1 cm Photography - 18.1 x 11.8 x 0.4 inch
$1,674
Diane Kruger I
Bruno Fournier
Photography - 46 x 30 x 1 cm Photography - 18.1 x 11.8 x 0.4 inch
$1,674
Corazon y alma
James Sparshatt
Photography - 40 x 50 x 1 cm Photography - 15.7 x 19.7 x 0.4 inch
$776
Maelstrom Series 77
Jaanika Peerna
Fine Art Drawings - 92 x 92 cm Fine Art Drawings - 36.2 x 36.2 inch
$3,206
Poesia Invernale, Fontana di Trevi, 1956
Fabrizio La Torre
Photography - 60 x 42 x 0.5 cm Photography - 23.6 x 16.5 x 0.2 inch
$1,842
N°150-03 13 (NG28)
Nicolas Galtier
Painting - 150 x 150 x 4 cm Painting - 59.1 x 59.1 x 1.6 inch
$6,474
Waiting for the rain in Wamba
John Kenny
Photography - 67 x 45 x 2 cm Photography - 26.4 x 17.7 x 0.8 inch
$2,028
Rendille Mother and Child
John Kenny
Photography - 67 x 45 x 2 cm Photography - 26.4 x 17.7 x 0.8 inch
$1,040
Too deep, too closely
Saverio Filioli Uranio
Painting - 70 x 50 x 3.5 cm Painting - 27.6 x 19.7 x 1.4 inch
$536
At the edge of the Jade Sea
John Kenny
Photography - 67 x 45 x 2 cm Photography - 26.4 x 17.7 x 0.8 inch
$1,243
Afar woman of Assaita
John Kenny
Photography - 67 x 45 x 2 cm Photography - 26.4 x 17.7 x 0.8 inch
$1,535
Samburu adornment
John Kenny
Photography - 67 x 45 x 2 cm Photography - 26.4 x 17.7 x 0.8 inch
$1,040
Paris Tour Eiffel 2
Bruno Fournier
Photography - 28 x 24 x 1 cm Photography - 11 x 9.4 x 0.4 inch
$949
Lisa and her little lamb
Miquel Wert
Fine Art Drawings - 55 x 46 cm Fine Art Drawings - 21.7 x 18.1 inch
$1,674
Looking at Arcadia. Photograph intervened by the artists.
Hunter & Gatti
Photography - 36 x 28 x 0.3 cm Photography - 14.2 x 11 x 0.1 inch
$1,800
Manufactura 9
Oriol Texidor
Photography - 40 x 50 x 7 cm Photography - 15.7 x 19.7 x 2.8 inch
$1,407
Bruno Mars, Portrait. Photograph intervened by the artists.
Hunter & Gatti
Photography - 29.5 x 21.7 x 0.3 cm Photography - 11.6 x 8.5 x 0.1 inch
$1,080
Kaaling, Bruno Mars Portrait. Photograph intervened by the artists.
Hunter & Gatti
Photography - 29.5 x 21.7 x 0.3 cm Photography - 11.6 x 8.5 x 0.1 inch
$1,080
Muse. Photograph intervened by the artists.
Hunter & Gatti
Photography - 29.5 x 21.7 x 0.3 cm Photography - 11.6 x 8.5 x 0.1 inch
$1,080
Paris. Photograph intervened by the artists.
Hunter & Gatti
Photography - 29.5 x 21.7 x 0.3 cm Photography - 11.6 x 8.5 x 0.1 inch
$1,080
Bella Hadid, Neon. Portrait. Photograph intervened by the artists.
Hunter & Gatti
Photography - 29.5 x 21.7 x 0.3 cm Photography - 11.6 x 8.5 x 0.1 inch
$1,080
Pharell Williams Portrait. Nothing Stays Still, Untitle I. Photograph intervened by the artists.
Hunter & Gatti
Photography - 29.5 x 21.7 x 0.3 cm Photography - 11.6 x 8.5 x 0.1 inch
$1,080
Abstract Clouds n°305
Harry James Moody
Painting - 76.2 x 76.2 x 5.1 cm Painting - 30 x 30 x 2 inch
$3,200
Abstract Clouds n°306
Harry James Moody
Painting - 76.2 x 76.2 x 5.1 cm Painting - 30 x 30 x 2 inch
$3,200
Studio sul nero
Saverio Filioli Uranio
Painting - 32 x 24 x 0.1 cm Painting - 12.6 x 9.4 x 0 inch
$123
Marilyn Getting Ready To Go Out in New York (1955)
Ed Feingersh
Photography - 61 x 51 cm Photography - 24 x 20.1 inch
$882
Marie Hélène chez Maxim's
Pierre Boulat
Photography - 40 x 40 x 1 cm Photography - 15.7 x 15.7 x 0.4 inch
$949
L'annonciation (Islande)
Vincent Citot
Photography - 40 x 60 x 1 cm Photography - 15.7 x 23.6 x 0.4 inch
$837
The school kids nº3
Frederic Pasquini
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$614
The school kids nº2
Frederic Pasquini
Photography - 40 x 60 x 0.2 cm Photography - 15.7 x 23.6 x 0.1 inch
$614
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!