Loetz vase Tricolor ca. 1900, 1900
Johann Loetz Witwe   Famous Artists

Design : glass · 12.5 x 13.5 x 13.5 cm 4.9 x 5.3 x 5.3 inch

€6,100 6 100 €

One of the last works available by this artist

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Shipped from: Austria

Delivery to: France , € 64

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Verified Reviews : 9.6/10
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About the artwork

Type

Design : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cminch )

12.5 x 13.5 x 13.5 cm 4.9 x 5.3 x 5.3 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • Austria

Credentials

Vetted seller since 2022

Description
Vase, Johann Loetz Witwe, decor Tricolor Phenomen Genre 299, ca. 1900, signed.

This stunning Loetz vase impresses with its colorful appearance. The Tricolor decor is particularly well accentuated on the bulbously shaped body of the vase. The interplay of pale pink, blue and green harmonizes with the fused silver oxide flakes. The quadruple indentations on the top rim add even more dynamic to the form. The four wave-like curved lips skillfully complete the composition. Also to be noted is the "Loetz Austria" signature, which is located on the bottom.
This exceptional vase represents a highlight in any Lotz collection.

Decorative objects

Art deco

Vase

colorful

orange

Dark blue

Austria  • 1850

Presentation

Johann Lötz Witwe, also known as Joh. Loetz Witwe, was a renowned glass manufacturer based in Klostermühle (now Klášterský Mlýn, part of Rejštejn) in Bohemia, which was part of the Austro-Hungarian Empire and later Czechoslovakia. Founded in 1836 by Johann Eisner, the company was acquired in 1850 by Susanne Lötz, the widow of master glassmaker Johann Lötz. Under her leadership, the company initially produced crystal glass, overlay glass, and hand-painted pieces.

In 1879, Susanne’s grandson, Max Ritter von Spaun, took over the business. Alongside designer Eduard Prochaska, he modernized the glassworks and introduced innovative techniques, including Intarsia glass, Octopus glass, and marble-like glass mimicking semi-precious stones such as onyx and malachite. These innovations earned Loetz recognition at international exhibitions in Brussels, Munich, and Vienna, culminating in an award at the 1889 Paris Exposition Universelle.

At the end of the 19th century, Art Nouveau influences became evident, especially after von Spaun discovered Louis Comfort Tiffany’s Favrile glass in 1897. Inspired by this new style, Loetz developed the Phänomen series, known for its iridescent patterns and organic forms. These groundbreaking designs won a Grand Prix at the 1900 Paris Exposition Universelle, placing Loetz alongside prestigious names such as Tiffany, Gallé, and Daum.

Loetz collaborated with famous artists, including Josef Hoffmann, Koloman Moser, and the Wiener Werkstätte, further enhancing its reputation. However, the turmoil of the 20th century, including World War I and the collapse of the Austro-Hungarian monarchy, affected the company’s prosperity. Despite attempts at revival, World War II and the expulsion of German-speaking populations from Czechoslovakia led to its permanent closure.

Today, Johann Lötz Witwe's creations are regarded as iconic examples of Art Nouveau glass and are displayed in prestigious museums worldwide, including the Musée d’Orsay in Paris. Their unique aesthetic and exceptional craftsmanship continue to inspire glass art collectors and enthusiasts.

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