Méandres, 2023
Béatrice Baulard  

Design : Textiles, tapestry · 170 x 70 x 2 cm 66.9 x 27.6 x 0.8 inch

€4,800 4 800 €

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Shipped from: France

Delivery to: Germany , € 130

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Design : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

170 x 70 x 2 cm 66.9 x 27.6 x 0.8 inch Height x Width x Depth

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Vetted seller since 2021 • Top Seller

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Description

This captivating textile work features a complex arrangement of textures and colors. Incorporating organic and geometric patterns, it boldly combines earthy hues, such as brown and dark green, with accents of bright red and black. Each section of the work appears meticulously woven, creating varied reliefs that offer a unique tactile dimension. The sinuous lines intertwine harmoniously, evoking terrestrial landscapes seen from above. The irregular shapes and contrasting colors accentuate the impression of movement and depth, drawing the eye and encouraging careful exploration. This creation is distinguished by its simultaneously chaotic and organized appearance, echoing the complexity of natural and human structures. The work challenges with its ability to capture the essence of an indecipherable and captivating space.

Comes with two hooks for hanging. Lined at the back.

Tapestry/carpet/Tufting.

Abstract

Environmental art

Textile Art

Lines

Recycling

Green

Red

France

Presentation

Béatrice Baulard is a textile plasticist whose favourite medium is yarn. For the past ten years, she has used ancestral techniques around yarn and created volumes woven, knitted, crocheted and, more recently, tufted. 
His family gave him the example of what we can make with little: gardeners, mechanics, seamstresses, knitters, embroiderers, cooks, even painters, handymen, welders, winemakers, blacksmiths... She is humbled by this and tries to answer several questions:
– The distribution of domestic tasks in traditional families. In some of her pieces, she inserts and sets a found element: pebble, polished glass, even plastic, provided it looks like a mineral. The contrast of texture with yarns, wool, soft materials par excellence, symbolizes this sharing: for women soft materials, cooking, sewing, knitting, men hard materials, steel, wood, earth.
– The place of beauty in contemporary art. For the past twenty years, discourse has taken on enormous importance, almost more than the creation of the work. While, in her path, she focuses on aesthetics, gesture and the selection of modest materials, with the desire to blur the boundary between plastic arts and art crafts. It aims to evoke wonder, to free oneself from labels, to integrate beauty into the environment.
– The visibility of women artists and even more of women «elderly» artists. She calmly approaches her sixties and readily says that life begins at 50 and has been working for ten years to prove it. Having as luggage only an intense curiosity and a long initiation of the look. She allows herself to use skills that were considered basic in the last centuries, to extract them from an outdated image and to form diffuse sensations, emotions, and reinterpret visual memories.
 

His work is divided between meticulous, tiny works and large formats tufted. Still, it manufactures with a will to exploit remnants, small quantities, dormant stocks of old factories, ensuring its impact on nature and society. To do with what is there, to divert, to value, to make proposals with little, to work with an economy of means.

 

She uses the phrase of David Bowie, "To grow old is to become the person you always wanted to be."

 

This slow exploratory work exposes emotions, epidermal reactions to situations and encourages him to change his way of thinking. From an unnoticeable person, she draws today in the light, with the goal of becoming a happy woman, loving and loved, creative and creative.

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