Bronze Sculpture for Sale
Early Sunday Morning, 2022
Design : digital print · 80 x 20 x 2 cm 31.5 x 7.9 x 0.8 inch
€250
250 €
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Shipped from: Spain
Delivery to: France , € 45
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Design : Open edition
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Founder's stamp
Technique & Support
Dimensions ( cm • inch )
80 x 20 x 2 cm 31.5 x 7.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
Date of creation: 2022
Medium: Digital print on Canadian maple wood
Edition: Open
Size: 80 x 20 cm
Condition: In mint conditions and never displayed
Skate deck made of 7 ply grade A Canadian maple wood.
If there is a painting that captures the stillness and slow rhythm of American urban life, it is Early Sunday Morning by Edward Hopper. Painted in 1930, this oil on canvas transports us to a commercial street in New York during the first light of Sunday, just before the city awakens from its nocturnal slumber.
The first thing that strikes the viewer is the silent atmosphere. The street is empty, shop windows are closed, and the aligned buildings unfold like an architectural staff, where each window and door marks a beat in Hopper's visual melody. Although the city is the protagonist, the absence of people transforms the scene into a kind of poetic moment of contemplation, where the morning sunlight casts long, precise shadows that seem to whisper untold stories.
Hopper's treatment of light is masterful. He does not seek exaggerated drama; instead, his illumination is crystalline and measured, revealing textures and details with such economy that every line, color, and shadow tells a story. There is something delightfully cinematic in how the buildings, in their warm and cool tones, seem to await both the viewer and the Sunday pedestrians.
But Hopper's genius is not limited to light: the composition is an exercise in balance and patience. The almost minimalist empty street becomes a canvas where geometry and urban reality coexist. It reminds us that the city has its own rhythm, and sometimes the deepest stories are hidden in the quietest, most ordinary moments.
Ultimately, is not just an urban portrait; it is an ode to contemplation, luminous solitude, and the beauty of the everyday. It invites us to pause, to look closely, and to enjoy the poetry hidden in every city corner—even when everything seems asleep.
Presentation
Edward Hopper emerged as a defining figure in 20th-century realism, capturing the essence of modern life through his stark and unsettling scenes. His paintings, characterized by spare architecture, desolate interiors, coastal vistas, and cityscapes, skillfully play with light and shadow, evoking a profound sense of isolation. Notably, Nighthawks (1942), perhaps his most famous work, portrays three patrons seated in a brightly lit diner against a backdrop of dark and empty streets, encapsulating the theme of urban alienation.
Hopper's artistic journey gained momentum after his inaugural solo exhibition in 1920 at the Whitney Studio Club, a precursor to the renowned Whitney Museum of American Art. This marked the beginning of his commercial and curatorial recognition. In 1952, Hopper represented the United States at the prestigious Venice Biennale, further solidifying his status on the international stage.
His impactful legacy is evident in the acquisition of his works by esteemed institutions such as the Art Institute of Chicago, the Metropolitan Museum of Art, the Carnegie Museum of Art, and the Museum of Modern Art. Additionally, on the secondary market, Hopper's paintings have commanded prices reaching into the multimillion-dollar range, underscoring the enduring appeal and value of his contribution to the art world.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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