Happy Tears, 1964, 2024
Design : digital print · 80 x 20 x 2 cm 31.5 x 7.9 x 0.8 inch
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About the artwork
Type
Design : Open edition
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Founder's stamp
Technique & Support
Dimensions ( cm • inch )
80 x 20 x 2 cm 31.5 x 7.9 x 0.8 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
Date of creation: 2024
Medium: Digital print on Canadian maple wood
Edition: Open
Size: 80 x 20 cm
Condition: In mint conditions and never displayed
Skate deck made of 7 ply grade A Canadian maple wood.
(1964) was one of the last works Roy Lichtenstein painted before his first major solo exhibition at the Leo Castelli Gallery in New York — a milestone that marked his definitive breakthrough in the contemporary art world. The piece portrays a blonde woman with tears in her eyes, yet wearing a serene, even triumphant expression. This introduces an emotional ambiguity that deviates from the typical drama found in romantic comics of the 1950s and '60s.
The image was taken from a panel in the comic series, published by DC Comics in 1962. Lichtenstein removed any text or narrative context to focus solely on the woman's face. By isolating and enlarging the scene, her expression takes on a new dimension: are these tears of genuine joy, or a kind of ironic relief? This ambiguity is central to Lichtenstein's work, as he continuously played with the visual language of mass media.
A curious fact: was auctioned at Christie's in 2002 for $7.1 million, one of the highest prices ever paid for a Lichtenstein piece at the time. It has since become one of his most iconic images, widely reproduced in books, posters, and consumer goods — reinforcing Lichtenstein's message about the commodification of art and its mass circulation.
Presentation
Roy Fox Lichtenstein was an iconic American pop artist who played a central role in defining the visual language of American culture in the 20th century. Born in 1923 in Manhattan, New York, Lichtenstein's influence remains widespread even after his death in 1997. His innovative approach combined mass media aesthetics, particularly from comic books, advertisements, and popular culture, with fine art principles, making his work an essential contribution to both art history and modern visual culture. Lichtenstein initially explored cubism and abstract expressionism during his early years, but it was in the 1960s that he defined his distinctive artistic style. He utilized bold outlines, bright primary colors, and the iconic Ben-Day dots technique to emulate the commercial print style of mass media. His breakthrough piece, Look Mickey (1961), featured Disney characters Donald Duck and Mickey Mouse in a comic-book-inspired format, blending the playful world of cartoons with fine art. Through these creative choices, Lichtenstein elevated everyday imagery, bringing the culture of consumerism and entertainment into the realm of serious art.
In recent years, Lichtenstein's legacy has only grown stronger, with his works continuing to be featured in major exhibitions around the world. His impact on contemporary art remains undeniable, as retrospectives and museum shows celebrate his revolutionary contributions to pop art. Notably, in 2023, the Guggenheim Museum in New York presented a comprehensive retrospective, showcasing both his iconic works and lesser-known pieces, reaffirming his role in shaping modern visual culture. Lichtenstein's works have consistently performed well at auctions, securing high prices and cementing his place as one of the most influential American artists of the 20th century. As the art world embraces his influence, Lichtenstein's style continues to inspire contemporary artists working across various media, from digital art to graphic design, solidifying his position as a pioneer in blending popular culture with fine art.
Lichtenstein's work didn't just focus on the superficiality of pop culture; it often contained subtle critiques of society, particularly its values and gender dynamics. His art frequently featured women in distress, their exaggerated emotions and melodramatic scenarios serving as a form of satire on the idealized representations of femininity in mass media. In works like Drowning Girl (1963) and Crying Girl (1963), Lichtenstein captured the comic-book-esque pathos of his female subjects, using laconic speech bubbles filled with ironic messages like "I don't care! I'd rather drown than call Brad for help!" His meticulous use of Ben-Day dots, a printing technique used in commercial graphic design, contributed to the flat, bold aesthetic of his paintings. Lichtenstein's ability to fuse the visual techniques of comic strips with the intellectual framework of fine art established him as one of the key figures in the Pop Art movement, alongside contemporaries like Andy Warhol.
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