Foot and Hand - Signed Lithograph Edition of 300, 1964
Print : lithography · 41.25 x 51.875 x 1 cm 16.2 x 20.4 x 0.4 inch
€32,857
32 857 €
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Shipped from: United States
Delivery to: Germany , € 188
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 300 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
41.25 x 51.875 x 1 cm 16.2 x 20.4 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Image Size: 16.5" x 20.75"
Sheet Size: 17" x 21.25"
Edition: 79/300, Published by Leo Castelli Gallery, New York
Inscription: Signed, Numbered, and Dated on Upper Front
Year: 1964
Documentation: Gallery Certificate of Authenticity
"Foot and Hand" by Roy Lichtenstein is a 1964 woodcut with hand coloring on wove paper that exemplifies the artist's engagement with bold graphic forms and a refined use of color.
The image measures 16.5 by 20.75 inches, with the full sheet measuring 17 by 21.25 inches.
This work is part of a limited edition of 300 prints and is number 79 in the series.
It was published by the Leo Castelli Gallery in New York, a prominent venue known for supporting leading contemporary artists.
The composition features stylized representations of a foot and a hand rendered in Lichtenstein's characteristic graphic style, emphasizing clean lines, strong contours, and a simplified approach to form.
The use of hand coloring adds subtle variation and depth to the printed image, demonstrating a balance between mechanical reproduction and the artist's direct intervention.
Produced during a pivotal moment in Lichtenstein's career, "Foot and Hand" reflects his ongoing exploration of everyday imagery and his interest in bridging the gap between fine art and popular visual culture.
The work illustrates his technical mastery of printmaking processes and his ability to distill forms into bold, iconic images that invite closer consideration of shape, line, and color.
As an editioned print from 1964, "Foot and Hand" holds significance both as a collectible example of Lichtenstein's graphic work and as part of the larger Pop Art movement that challenged traditional boundaries in art during the mid-20th century.
This print is signed, numbered, and dated by the artist in the upper front margin, affirming its authenticity and place within Lichtenstein's broader body of work.
The piece comes accompanied by a gallery certificate of authenticity.
It is documented in official catalogs Bianchini 2 and Corlett II.
Note: The piece is currently unframed, the pictures of it framed are representative mockups to show what it will look like when framed.
Presentation
Roy Fox Lichtenstein was an iconic American pop artist who played a central role in defining the visual language of American culture in the 20th century. Born in 1923 in Manhattan, New York, Lichtenstein's influence remains widespread even after his death in 1997. His innovative approach combined mass media aesthetics, particularly from comic books, advertisements, and popular culture, with fine art principles, making his work an essential contribution to both art history and modern visual culture. Lichtenstein initially explored cubism and abstract expressionism during his early years, but it was in the 1960s that he defined his distinctive artistic style. He utilized bold outlines, bright primary colors, and the iconic Ben-Day dots technique to emulate the commercial print style of mass media. His breakthrough piece, Look Mickey (1961), featured Disney characters Donald Duck and Mickey Mouse in a comic-book-inspired format, blending the playful world of cartoons with fine art. Through these creative choices, Lichtenstein elevated everyday imagery, bringing the culture of consumerism and entertainment into the realm of serious art.
In recent years, Lichtenstein's legacy has only grown stronger, with his works continuing to be featured in major exhibitions around the world. His impact on contemporary art remains undeniable, as retrospectives and museum shows celebrate his revolutionary contributions to pop art. Notably, in 2023, the Guggenheim Museum in New York presented a comprehensive retrospective, showcasing both his iconic works and lesser-known pieces, reaffirming his role in shaping modern visual culture. Lichtenstein's works have consistently performed well at auctions, securing high prices and cementing his place as one of the most influential American artists of the 20th century. As the art world embraces his influence, Lichtenstein's style continues to inspire contemporary artists working across various media, from digital art to graphic design, solidifying his position as a pioneer in blending popular culture with fine art.
Lichtenstein's work didn't just focus on the superficiality of pop culture; it often contained subtle critiques of society, particularly its values and gender dynamics. His art frequently featured women in distress, their exaggerated emotions and melodramatic scenarios serving as a form of satire on the idealized representations of femininity in mass media. In works like Drowning Girl (1963) and Crying Girl (1963), Lichtenstein captured the comic-book-esque pathos of his female subjects, using laconic speech bubbles filled with ironic messages like "I don't care! I'd rather drown than call Brad for help!" His meticulous use of Ben-Day dots, a printing technique used in commercial graphic design, contributed to the flat, bold aesthetic of his paintings. Lichtenstein's ability to fuse the visual techniques of comic strips with the intellectual framework of fine art established him as one of the key figures in the Pop Art movement, alongside contemporaries like Andy Warhol.
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