Cocoa, Circa 2023
Marta Moreno

Design : Textiles, embroidery

80 x 100 x 3 cm 31.5 x 39.4 x 1.2 inch

€3,870 3 870 €

One of the last works available by this artist

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Secure delivery : France   + €150
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About the artwork

Type

Unique artwork

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

80 x 100 x 3 cm 31.5 x 39.4 x 1.2 inch Height x Width x Depth

Framing

Not framed


Tags

Floral

Textile Art

Colors

Yellow

Artwork sold in perfect condition

Artwork location: Spain

This vibrant artwork features an engaging tapestry of vivid colors and intricate textures on a bright yellow backdrop. The piece showcases abstract botanical forms, where bold, blue leaves contrast sharply with warm, red stems. A playful interplay of textures is achieved through the use of various materials, creating a sense of depth and movement. Each element stands out distinctly, yet harmoniously contributes to the overall composition, drawing the viewer into a lively dance of color and form. The creative use of contrasting shades like orange, pink, and green adds layers of visual interest, emphasizing the organic and dynamic theme. This artwork is a captivating exploration of abstract natural forms, combining a sense of joy and energy through its masterful use of color and texture. It invites viewers to engage with its imaginative and tactile quality, making it a standout piece in any collection.

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About the seller

Gallery Can Boni • Spain

Artsper seller since 2022

Vetted Seller

This seller rewards your purchases of multiple artworks

Mexico  • 1982

Presentation

Descubrí el bordado en mi infancia como una actividad lúdica ya que mi madre los domingo por la mañana me dibujaba una flor sobre una tela delgada y blanca en un bastidor redondo de madera y me enseñaba a bordar. Con el tiempo, se convirtió en mi principal medio de expresión artística.

MARTA MORENO Úbeda (Jaén), España,1982 Marta Moreno es una artista textil cuyos proyectos abarcan varias técnicas como el bordado tradicional, latch hook, punch needle, entretejido y felting utilizando diferentes materiales para crear relieves y texturas en diferentes formatos y soportes. Marta , se basa en la técnica del bordado, aprendió esta

disciplina durante su infancia como forma de diversión, , fue en el inicio de su maternidad cuando profundizó en las técnicas de Punch Needle y Latch Hook  para dedicarse de a ejercer como Artista Textil yendo mas allá de los estereotipos de genero, para ella no es una técnica limitada únicamente a lo femenino.Utiliza hilo como trazos de pincel y da volumen a sus piezas,priorizando lo táctil de cada una.

 

Le interesa crear un dialogo significativo en torno a estas técnicas trascendiendo

las ideas preconcebidas y generando una conexión profunda con el espectador.

Ha expuesto con un Solo Show en unos de los Museos mas importantes de la Ciudad de Mexico, Franz Mayer, sus piezas tamo bien pueden ser adquiridas en la tienda del Museo del Prado , Madrid, España. Ha sido artista residente en Proyecto H Galeria , Ciudad de México, Art House, Amsterdam , Diseña Colectiva , Ciudad de México, Mart Nostrum , Bacelona , España. Su arte también ha llegado a la Bienal de Venecia en un proyecto llamado El Extranjero junto a las artistas Esther. Moreno y Jimena Estíbaliz. Marta Moreno también ha sido seleccionada por la prestigiosa 

A través del hilo y la aguja construyo volumen, textura y movimiento, utilizando los hilos como si fueran pinceladas, representando una forma de cuestionar los estereotipos de género asociados a esta práctica.

En mi práctica, lo táctil y lo visual se unen, estableciendo una relación con los materiales y permitiéndome explorar la profundidad y la materialidad del bordado.

En mis proyectos exploro estructuras presentes en la naturaleza, desde formas microscópicas como las células que componen a todos los seres vivos, hasta fenómenos más visibles que suelen pasar desapercibidos en la vida cotidiana. Me interesa observar sistemas de organización natural como los líquenes —resultado de relaciones simbióticas— o el movimiento de las copas de los árboles que, al crecer, generan el fenómeno conocido como “timidez de las copas”, donde las ramas mantienen distancia entre sí para no robarse la luz y el oxigeno y no contagiarse plagas entre ellas.

Entiendo la naturaleza como un modelo de comportamiento colectivo. Conceptos como simbiosis, interdependencia y respeto por el espacio común se convierten en puntos de partida para reflexionar sobre las dinámicas humanas. Aunque el ser humano suele pensarse como individuo, en su interior y en su relación con el entorno todo funciona como un sistema de interconexiones.

A través de mi práctica busco trasladar estas observaciones a un lenguaje visual que invite a reconsiderar nuestra relación con lo natural y con los otros, recordándonos que, más allá de nuestras diferencias, todos formamos parte de una misma red de vida

También me interesa traducir aquello que es intangible o efímero en experiencias táctiles y duraderas. En mi proyecto sobre fuegos artificiales, presentado en un solo show en el Museo Franz Mayer (Ciudad de México, 2025), transformo la fugacidad de la luz y el estallido en superficies suaves y persistentes, donde cada puntada prolonga en el tiempo un instante que normalmente desaparece.

A través de cada puntada busco abrir la reflexión sobre el valor de lo hecho a mano en una era dominada por lo digital y lo industrial.

 

Actualmente resido en la Ciudad de México y soy fundadora de moremore Studio, donde desarrollo mi práctica en arte textil mediante diferentes técnicas como Punch Needle, latch Hook, Entretejido y bordado tradicional.

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