La promenade, Circa 1920
Fine Art Drawings : Watercolour, ink · 32 x 25 x 1 cm 12.6 x 9.8 x 0.4 inch
$560
560 $US
One of the last works available by this artist
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Shipped from: Italy
Delivery to: United States , $ 93
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , ink on cardboard
Dimensions ( cm • inch )
32 x 25 x 1 cm 12.6 x 9.8 x 0.4 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2019 • Top Seller
Description
La Promenade is an Ink and watercolor Drawing realized by Hermann Paul in the early 20th century. On a yellowed cardboard.
René Georges Hermann-Paul (27 December 1864 – 23 June 1940) was a French artist. He was born in Paris and died in Saintes-Maries-de-la-Mer. He was a well-known illustrator whose work appeared in numerous newspapers and periodicals. His fine art was displayed in gallery exhibitions alongside Vuillard, Matisse and Toulouse-Lautrec. Early works were noted for their satiric characterizations of the foibles of French society. His points were made with simple caricature. His illustrations relied on blotches of pure black with minimum outline to define his animated marionettes. His exhibition pieces were carried by large splashes of color and those same fine lines of black. Hermann-Paul worked in Ripolin enamel paint, watercolors, woodcuts, lithographs, drypoint engraving, oils, and ink. Recent efforts to catalog the work of Hermann-Paul reveal an artist of considerable scope.
René Georges Hermann-Paul (27 December 1864 – 23 June 1940) was a French artist. He was born in Paris and died in Saintes-Maries-de-la-Mer. He was a well-known illustrator whose work appeared in numerous newspapers and periodicals. His fine art was displayed in gallery exhibitions alongside Vuillard, Matisse and Toulouse-Lautrec. Early works were noted for their satiric characterizations of the foibles of French society. His points were made with simple caricature. His illustrations relied on blotches of pure black with minimum outline to define his animated marionettes. His exhibition pieces were carried by large splashes of color and those same fine lines of black. Hermann-Paul worked in Ripolin enamel paint, watercolors, woodcuts, lithographs, drypoint engraving, oils, and ink. Recent efforts to catalog the work of Hermann-Paul reveal an artist of considerable scope.
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