Détérioration et détournement de détérioration sur l’un des angles d’un solide, de la suite 20 variations sur l’idée de Détérioration, 1971
Gérard Titus-Carmel   Master Artists

Fine Art Drawings : pencil · 52 x 74 x 0.02 cm 20.5 x 29.1 x 0 inch · Ready to hang

$1,634 1 634 $US

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Shipped from: France

Delivery to: United States , $ 169

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

52 x 74 x 0.02 cm 20.5 x 29.1 x 0 inch Height x Width x Depth

Artwork dimensions including frame

59 x 79 x 3 cm 23.2 x 31.1 x 1.2 inch

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Description

Drawing with colored pencils and graphite on paper, glued to cardboard. 1971.

Signed and dated “71" lower right and titled lower left.

PROVENANCE: Galerie Baudoin Lebon, Paris (label on the back); Daniel Cordier collection, Paris. BIBLIOGRAPHY: Jean-Marc Tisserant, op. cit., the entire sequence reproduced from pages 30 to 37.

Comes with a certificate.

Inventory number: 910

Graphic

Minimalism

Geometric

Pencil drawing

Grey

Gérard Titus-Carmel, Détérioration et détournement de détérioration sur l’un des angles d’un solide, de la suite 20 variations sur l’idée de Détérioration
France  • 1942

Presentation

Gérard Titus-Carmel was born in Paris on 10 October 1942, is a painter, printmaker, French poet and essayist. He illustrated many works of poets and writers, and he himself ever published thirty books, essays on art and poetry.

Gérard Titus-Carmel lives and works in Oulchy-le-Château, in the Aisne. Studied at the École Boulle in Paris from 1958 to 1962. First solo exhibition in 1964.

Painter, draftsman and engraver, he has participated in more than four hundred fifty exhibitions. Nearly two hundred solo exhibitions have been devoted to the world, where his work is represented in a hundred museums and public collections. He has made monumental works for the Ministry of Finance in Paris, the DRAC Champagne-Ardenne in Chalons-en-Champagne and the Palais des Congrès in Nantes.

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