Charnel, 2016
Laurent Anastay-Ponsolle  

Fine Art Drawings : Watercolour, charcoal · 100 x 70 x 0.1 cm 39.4 x 27.6 x 0 inch

$1,912 1 912 $US

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Shipped from: France

Delivery to: United States , $ 243

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 70 x 0.1 cm 39.4 x 27.6 x 0 inch Height x Width x Depth

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Description

This large-scale work (100x70 cm), made with charcoal and watercolor, reveals a delicate tension between line and fluidity. The title, "Charnel", immediately anchors the work in an exploration of corporeality and desire. The contours sketched in charcoal are both precise and fragmented, capturing a frozen, almost spectral movement, while the watercolor brings an ethereal lightness, softening the intensity of the forms.

The expressionist gesture dominates here: the lines, sometimes nervous and almost dislocated, translate a raw intimacy, where the body seems to struggle between momentum and withdrawal. The sparing use of color amplifies the emotion, letting the eye linger on the voids and silences of the paper. A certain ambiguity emerges: is this body in an act of abandonment or struggle?

Anastay-Ponsolle seems fascinated by carnal movement and anatomy, while moving away from classical conventions. This drawing questions the boundary between sensuality and vulnerability, the material and the immaterial. In this sense, "Charnel" is part of a tradition of exploring the human body, but with a resolutely contemporary and introspective approach.

Abstract

Nude

Human body

Couple

Expressionism

Sensuality

Sky blue

Laurent Anastay-Ponsolle, Charnel
France  • 1982
128 followers

Presentation

Self-taught, Laurent Anastay-Ponsolle has always maintained an emotional relationship with his artistic practice: the feeling is his favorite exploration territory. From the very beginning, he goes where his instinct guides him. He prefers to photograph his model from different angles in order to choose what interests him in a pose, rather than retranscribing the primary truth. 

An obsession, the hands. Possessive, fragile or powerful, sensual or anonymous, they emerge as spectres to capture the attention and to give the essential emotional charge of the composition.

Through his erratic line, Laurent Anastay-Ponsolle tracks down emotions to expose them. He explores the sensitive, the ephemeral, the fragile. By accumulation or deletion, the eye is lost and the individuals disappear: infinite embraces, perpetual, by self forgetfulness or other forgetfulness, the features and the personalities fade away.

To express this research, an obvious medium, drawing. Then painting. However even through this one, the drawing emerges faces like an indelible mark. Saturation, breathing, its repentances are apparent: it scratches erases, erases and underlines its subject. Forbidding himself the use of an eraser, his technique is in the image of his subject: embodied, raw and spontaneous.

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