L'Hermite (The Hermit ), 2021
Konstantin Kornakov  

Fine Art Drawings : pigment ink · 29.7 x 21 cm 11.7 x 8.3 inch · Ready to hang

€333 333 €
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Shipped from: France

Delivery to: Germany , € 30

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : numbered and limited to 5 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

29.7 x 21 cm 11.7 x 8.3 inch Height x Width x Depth

Artwork dimensions including frame

31.7 x 23 cm 12.5 x 9.1 inch

Sold by

Credentials

Vetted seller since 2017 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

Konstantin Kornakov has reimagined Tarot cards by incorporating his unique aesthetic, characterized by the use of characters from his series "The Sub-Cones". This project fuses traditional Tarot imagery with contemporary and urban elements, creating a distinctive visual language.

The Hermit (IX)

The Hermit is the card of introspection, solitude, and the search for inner truth. Depicted as an old man carrying a lantern, he symbolizes withdrawal from the outside world to focus on the quest for wisdom and understanding.

Symbolism: Inner wisdom, solitude, spiritual quest. The Hermit represents the need to withdraw to meditate, reflect and find inner light.

Interpretation: The Hermit advises taking a step back, focusing on one's own wisdom, and not rushing into decisions. Reversed, it can indicate too much isolation or difficulty finding answers.

Graphic

Everyday life

Pop Art

Maps

Religious iconography

Card game

Tarot

Fictional Character

Grey

orange

Konstantin Kornakov, L'Hermite (The Hermit )
Russian Federation  • 1970
51 followers

Presentation

Painter and designer, Konstantin Kornakov is also a photographer. His images have the particularity that even if he photographs elements he sees and finds in the street, they represent neither people, nor objects, nor real landscapes.

He uses his device less as a means of recording reality than as an instrument of vision. Because what he photographs are visions first of all. He need indeed have had some kind of visual revelation to be able, then, to press the shutter.

His motives are fragments of urban landscapes, non-identifiable corners with no importance for "where", but with its plastic quality, the visual event, the fact of appearance of an element of beauty in the cacophony of the world.

Artist lives and works in Moscow.

Reviews from our customers

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